In this video I discuss how I use sound, scrying and pentacles for the purposes of directing and focusing planetary and astrological influences. I also discuss the purposes of the overall purpose of these processes in relationship to ongoing work I’m doing with the sphere of art.
Stepping across realities
One of my favorite metaphors, though it is more than just a metaphor, is to look space/time as a spider web. It’s a useful non-linear device for conceptualizing space/time as a web. The strands become time lines and where two or more strands meet you have spatial nodes which represent events that the strands of time intersect with. It can be a useful tool for helping you wrap your mind around the non-linear aspects of time and I’ve found it particularly helpful in relationship to identity work, because you can move from one event identity to another using the strands of time to bring you to that event.
Some Thoughts on Possibilities, Space, and Time
Two of the current books I'm reading are the Dimensional Structure of Consciousness by Samuel Avery and Wonders of the Natural Mind by Tenzin Wangyal Rinpoche. In Avery's book he explores the definition of consciousness, arguing that everything, material or otherwise, is a manifestation of conscious experience, and that dimensions are internal structures of consciousness used to organize the various experiences we have. It's an interesting definition of consciousness and I see some merit for it, though I question the concept of conscious experience, as it seems to create a solipsistic perspective of the world. He argues that space and time are dimensions, which doesn't fall that far outside current conceptions of space and time. In the midst of all this, he also discusses images, which he defines as a concept, thought, thing, feeling or object, and which he argues are the sole content of consciousness. He goes onto explain that conscious activity is a constant arrangement of images into other images, but he doesn't really explain how that activity factors into dimensions, though I suspect he'd argue that the manipulation of images allows the person to access and work different dimensional structures of consciousness.
In Tenzin's book the author takes a more novel approach to space, arguing that space isn't limited to external or internal space, but rather that space is defined by the objects or forms in it. In other words, the forms define the parameters of space, as opposed to space, in and of itself. He also notes the distinctions we create are really attachments to defining space, but not experiencing it. Space is always present, always something that we are apart of, and yet also something that we try to quantify.
What I find fascinating about both books and the perspectives contained within them is how the authors approach a concept such as space. I'm more inclined to agree with Tenzin's perspective, and I find that if anything Avery's perspective is too caught up in trying to define the concepts without providing practical examples that illustrate what he is trying to define. Nonetheless I see value in utilizing the concepts of both books in my own work with space/time magic. Fundamentally when you deal with concepts such as space and time, what you are really dealing with is trying to place them into context within your life. It's as if by defining them we suddenly have a sense of control over them.
There is something to be said for defining a concept, but also something to be said for simply experiencing it. When I wander into a room, I am intimately aware of how the space of the room is defined by the objects within the room, but I am also aware of the space in and of itself. The space is potential waiting for action to occur, which seems to really happen when time is applied to that space. The application of time occurs through a fairly subjective filter, namely our sense of consciousness motivating us to do something, to act. Does time even exist if no one exists is to comprehend it? And this is where I could see time as a dimension of consciousness used to explain, categorize, and organize experiences that occur in space, but also used to turn possibilities into reality by providing a projection and action in which to achieve that projection.
Books like the ones I mentioned above, and my own for that matter, are useful in providing ideas about space and time and how to work with them, but I think that ultimately to really experience space and time is to simply work with them as elements of our lives. We experience space and time everyday, in the living of our lives, but if we want to work with space and time, we need to consciously apply ourselves to working with the experience of space and time so that we can discover more than just the surface level exposure most people typically get. That means we actively work with the experience and perception of space and time, defining it, but also playing with those definitions, because we recognize that any experience is ultimately subjective. Yes everyone experiences a 24 hour day, but 24 hours is a subjective unit used to describe the rotation of the Earth around the sun. 24 hours just gives a sense of control and direction, a rhythmic and cyclical experience to quantify our lives. When you recognize its subjective, then you don't take space, time, or anything else for granted, because you recognize that when such subjectivity is passed off as objectivity, someone else is benefiting from your believe in the objectivity of space and time. You experience that benefit when you go to work for someone else and exchange a subjective sense of time for money that quantifies what that unit of time is worth. Test everything that is qualified as objective, because objectivity is more of an illusion than anything else.
Zeroing Time
The first author who really introduced me to Space/Time Magic was William G. Gray. In his book Magical Ritual Methods he talks about the Zero exercise, where a person created three circles around him/herself and brought them into alignment with each other to create space/time point of zero possibilities, where nothing existed except the person and what/she brought into the Zero. I've lately been reincorporating this practice into my daily work as one of the ways I can align with the elements of space and time. The concept of zero is a place where all possibilities can exist, but no reality occurs. Reality can only occur when an action is taken that moves a possibility into an actual reality. Zero is a state of being, a way of looking at space and time and the intersections of the two elements and the possibilities that spring out of that intersection.
Actually it's fair to say that Zero, as a concept that Gray introed to me, has been around since I first learn about it. It's an integral part of my mythology as it applies to space and time, and emptiness. What we can learn from zero is to how cultivate a state of being that's simultaneously removed from the present and connected to every possible moment that was and could be. The benefit is a temporal-spatial awareness that enables you to find possibilities that might otherwise be missed. It does make you somewhat non-linear...and zeroing is just the first step to hitting this state of awareness.
Patterns of Reality
"Mind patterns could be 'woven' like cord patterns, and these mind patterns were what 'move' spells. Different coloured threads indicated different kinds of consciousness, and their physical arrangements had to be projected into equivalent Inner patterns of power" -- From Magical Ritual Methods (affiliate link) by William Gray I pulled this quote while doing a bit of research for Neuro Space/Time Magic. The concept is interesting, using different colored threads to represent specific patterns of thought and being. I was once part of a ritual where we used silver threads to create a tesseract matrix of time. The thread represented the journey to access temporal possibilities, but what I find interesting with this concept isn't even that, but rather how the mind can be organized into different states that can then be evoked using a simple prop such as a colored thread, and a pattern or shape to bring it forth.
This concept can be replicated with other methods as well, such as using an alphabet of desire to embody different states of consciousness and patterns of reality. The key, however, is to recognize how you will actually use a specific state of being to change a pattern of reality you are in. Lets say you are doing a habitual behavior that you want to change. You are aware of it, and you can name it, and provide a symbol/shape to embody it. Now you could take this embodied shape and destroy it, but would that really solve your problem?
An alternate approach would be to devise a symbol and/or shape that represented a desired state of mind/being that you could use to counteract the habitual behavior. Ideally, this symbol/shape could even be the same color of the initial symbol you developed to represent the habitual behavior. Thus when you started to do the habitual behavior, you could visualize the shape and letter of that state, and even vocalize it. Then you could change the shape and letter to the new state of being, even as you also changed the vocalization, imprinting the new behavior on the habit, in order to change it into the new behavior.
All of this I got from a quote by Gray. If you haven't read his books, give them a try. They offer a lot to any occultist lucky enough to find them.
Beginning-Ending
My mind is all aglow and on fire with the secrets of the universe being whispered in my ears by all possibilities and none, XAH highest of me, EHEIEH, god breath that moves space and time into place to show me the silver pathway to all I can be. In these whispered words I hear the song of the elements combining everything together into patterns of manifest reality that present a sense of the universe that goes beyond any explanation and yet speaks more eloquently to the harmony of all things and none that come together to present possibility an opportunity to become reality tangible, palpable reality.
I gaze with crystalline eyes into the silver light seeing a web that hums and strums with power spatial nodes representing place, person, or thing, while temporal strands of activity move the spaces with their songs of power and promise.
I am in the zero space/time continuum where nothing matters and everything is revealed where identity becomes one from zero and emptiness gives way to realizations of empowerment through peace identity changing from dysfunction to function to awareness that no one is a victim of themselves unless they choose to wallow in their victimhood and excuse themselves from taking responsibility for their end of matters
Magic reveals the greatest truth that life is an endless play of possibility on reality of the conjoining sexual acts of space and time joining each other shuddering in lustful, blissful abandon to create this present moment a baby of circumstance, fate, destiny and the shattering sighs of universal harmony dissonant in our ears, for we cannot hear fully that song of time and space joining into one, The present is a present, with the past full of hidden secrets and the future blazing ahead to provide this final greatest moment of life passing to death passing to life the cycle has no end or beginning just endless possibility, endless illusion til you strip away the scales from your eyes and see all along it was a joke you played on yourself to bring meaning into your every moment a cruel explanation of why when we look into each other's eyes we realize we know each other for you are in me, and I in you and soon we discover we are all in each other everything we ever needed
Now join me for this one last act this blissful orgasmic death love lust act of sex, the little death the beginning-end of our song and drama I let you go, let go of myself and find in the release the expression of space/time that exquisitely presents this god breath whispering into me writing. We're all joined in this moment. Hello to me, hello to XAH my highest self telling me the secrets of the universe penning them down, laughing all the while. We'll meet again you and I, when we see ourselves in each other and realize it's all an illusion this joke of you and I.
Time Dilation Experiences
Time dilation is one of the experiences that's always fascinated me. I suspect just about every person has experienced time dilation. Time dilation is the experience of time either slowing down or speeding up. For example, if you've done a magical ritual before and you've felt like hours passed when perhaps only a half hour passed, you've experienced time dilation. Or if you've raced for a bus and felt like time sped up around you, you've also experienced time dilation.
When I do space/time magic, I like to warm up, as it were, using time dilation techniques. they are techniques that help to push the mind out of the linear frame of thinking it is used to, while prepping it for opening the doors of consciousness to explore time from a non-linear perspective. One of my favorite exercises to use comes from Jean Houston's Book The Possible Human (affiliate link). In this exercise you visualize time as a yard stick with past, present, and future occupying 12 inches each. Then what you do is take the past and give it 12 more inches, while having six inches off the present and future, and focus on experiencing a perception of time where most of the perception is on the past.
You can do the same exercise with the future, giving it 24 inches, and giving the past and present 6 inches each, or apply it to the present. Now you'll note that this is still a fairly linear perception of time, but the point of the exercise is to loosen up your habitual perception of units of time.
Time dilation is the first step toward experiencing and accepting that time isn't a constant and that we have influence on it. The usefulness of doing a time dilation exercise, whether in daily work, or just before you do a space/time working is that it'll push you outside the digital measurements of time we've come to rely on so much. And learning to activate time dilation at will can actually help out in those everyday situations, as well, because it teaches you to rely less on external measurements of time and more on internal awareness. You can apply that internal awareness toward shaping time around you, like in the time sphere working I discuss in Space/Time Magic.
Time dilation frees us of the automation of time, challenges us to question the measurements and schedules of others and shows us a glimpse of what time could be, if we are open to altering our perceptions of it.
A couple of upcoming classes
I have a couple of upcoming classes. One is a local class, for those of you who live in the Portland-Vancouver area and one is a Teleclass. Details Below: Breathing Meditation class
In this class, Taylor Ellwood will teach you Taoist breathing techniques that you can use for meditation and for achieving closer connection to your body. Knowing how to breath correctly can help improve your health. You will learn:
- The Fusion of the Five Elements breathing and how you can use it to help you work with negative emotions and release them
- The Taoist Water breathing technique which can help you dissolve internal blockages
- How to use your breathing to attune yourself to your body’s consciousness.
When: July 9th at 1pm at New Awakenings Bookstore 404 East Main Street, Battle Ground, WA 98604 RSVP: 360-687-7817
Space/Time Magic Course
Space and time are two elements of our lives that we live with and use every day. In the classic models of magic, these elements are not overtly included. In this class, I will show you how to integrate both of these elements into your magical work. You will learn why its important to factor time and space into your magical workings, as well as how the inclusion of these elements can radically change your understanding of magic. You will also learn:
- How movement and space can be used to construct sacred space.
- How to manifest multiple possibilities using sigils.
- How to create a sigil web that maps your life in terms of space and time.
- How to work with your future and past selves.
- How to work with alternate selves and learn from them.
- Free e-book version of Space/Time Magic included!
Space and Time are two elements that we can’t ignore if we want to really understand magic. This class will help you take your magic to the next level.
A Space and Time poem
The aligning of space and timeinto each other as separate elements yet conjoined by human perception as one element
In sacred space I move to the mysteries of time that show me paths to navigate from one space to the next
Each space is a node that represents person, place, or event Each strand of time is a movement a tempo, a change to the status quo
Time is the change of movements Space is the grounding of place The perception of time is the awareness of movement in your life taking you somewhen and somewhere
Sacred space is dilation of time to a slow crawl that space my be savored that energy is raised that specific change is programmed into the pacing of time that then moves back to its usual speed moving us to our next space.
Book Review: The Anthropology of Magic (Affiliate Link) by Susan Greenwood
This is one of the better academic texts on magic out there. The author draws both on academic texts and her own experiences as a magic practitioner to knowledgeably discuss magic and how it is treated in the Anthropological field, while successfully arguing that magic represents a different, but equally valid way of understanding the world. If I have one complaint its that the author doesn't draw on actual occult texts. However she does interview magic practitioners and shares her own experiences as well. This is a good book to have, whether you're an academic or an occultist.
4.5 out of 5
Time as a necessary illusion
Tonight I did another visitation with the spider goddess of time. Before I did so, Elephant briefly reminded me to stay present, even and especially in moments of feeling boredom. When I visited the spider goddess, she showed me a new technique where I could create a silver thread of time to an event or person, if one hadn't existed before. This approach complements the editing technique I learned from her the last time I visited. The main difference is that you are essentially creating a new connection as opposed to editing an existing one. You can even create context specific strands of time. In other words, if there's a specific context that you want to create for a situation or person then you put that into the strand that connects you to the event or person.
Afterward the spider goddess and I discussed time itself. She pointed out something that she has said before. The sense of time a person has is dictated much more by awareness of natural rhythms and cycles than an actual force of time. The conceptualization of time as a force is a useful illusion that has its own rule, which can be used to manipulate the awareness of time a person has. It's something I can understand. I know that my "age" is more or less an arbitrary number used to explain the physiological process of aging and that day and night are terms used to understand the changes brought about by the rotation of the Earth around the sun. The concept of the flow of time seems to be more of a comfort illusion than an actual reality. The word when allows us to situate a place and space as much as a time. Even the spider web is another concept tool for the illusion of time. It works, and certainly something happens, but her point is that time isn't so much of a mysterious external force, so much as its a perception and explanation and a method for sorting out and indexing changes. We create time to explain and understand the changes that occur in and around us, but you have to wonder if time would even exist as a concept if there was no one thinking about it.
Review of In Search of Time by Dan Falk
This book presents a "history" of time, with a heavy focus on physics and how physicists throughout history have approached and tried to conceptualize and explain time. The author does an excellent job of presenting a wide variety of both contemporary and historical perceptions of time. I enjoyed reading this book because it provided some food for thought on how I understand and conceptualize time. I recommend it to anyone who finds the concept of time fascinating and wants to learn what others have to say about it.
5 out of 5
Some musings on Time and Desire
I did another meditation with Elephant tonight about time. In this case we ended up focusing on desire and how when desire turns into obsession, it actually makes it much harder to manifest a possibility into reality. Elephant explained this by showing how desire tends to push a person's thoughts toward the future, as opposed to experiencing the present. Because the focus of the desire is on the future, there's less acceptance that the desire could manifest in the present. He used as an example a very specific desire I have that I've put a lot of energy into, but nonetheless have continued to focus on consciously, in terms of longing for the manifestation of that desire. Instead of forgetting about the desire consciously and focusing on other things, I've allowed it to become something of an obsession and consequently all the conscious thought I put toward it ends up actually pushing it further and further away from manifesting into reality. The reason is simple: I'm continually focusing on when it will occur and when I think of it occurring, I think of it happening in the future!
I never thought about desire in this way, but it makes a lot of sense. It's similar to how sigils work. You create a sigil, you fire it, and you forget it. If you don't forget it, then it becomes harder for it to manifest, because you're not programming your subconscious to accept and allow that possibility to exist in your life.
Elephant advised focusing on the present, being more aware of the opportunities and situations happening around me, and letting the desire go from my conscious mind. This way I can actually allow it to manifest into reality, because I'm no longer putting effort into keeping it in the future. I actually see where I'm letting this happen in a couple of different situations in my life, beyond the one he specifically focused on...so it's time to apply this new awareness to the situation.
And you know I do realize that in different forms, this concept is already present in occult theory, but I like how elephant presented it. It actually makes sense to me in a very grounded way that other variants haven't really displayed.
Revisiting the past
I'm in the process of revising Space/Time Magic for the Revised edition. It's been about five years since I wrote it, and the biggest realization I come away with is just how different I am from the person who wrote that book. Even my conceptualizations of space and time have changed a lot, so that while I recognize the threads and concepts as my own, I also find myself at a place where I recognize how much has changed in how I think about those same concepts and ideas as well as my practice of them.
I told Lupa that I planned not to do any more revised editions of previous works, because not only did I not really want to revisit the works, but trying to revise them and not include everything I've learned (because I'm working on a sequel) is a task I really don't want to do. I don't find fault in her editing either, but simply in realizing that the person I am now, the magician I am has moved in different directions than the magician who first wrote that book.
I'm not even sure I recognize the person who wrote that book. I've spent the last five years doing very intensive internal work to become a very different person from the one who wrote that book. And now, at the beginning of a new phase of my spirituality, when at least for the meantime, I move away from some of the internal work to doing more of the external work, I also recognize that how I approach that kind of work has shifted because of the internal work. So revising this book is really strange in the sense that I'm dealing with an older paradigm that I don't agree with anymore. It's not that the book or its concepts or techniques aren't valid and useful. They are...but they were written by a very different me...and the current me looks at that and doesn't regret it, but does recognize that the door has closed and there's really no going back.
Walking on silver strands
Today I was feeling a bit frustrated about a couple of situations with different people I was trying to connect with. And as I thought about this, I felt the Spider Goddess ping my mind. She told me I was thinking too linear, trying to go down one line of the web, when I could just as easily create more lines on the web to connect me to that person, or other people who were connected to that person. For a while now, my model or perception of time has been of a web of silver strands (even before I met the Spider Goddess), so I thought about each person I wanted to connect with, as well as what the goal of that connection was, for me and then I decided to create new silver strands to connect me to to the person/situation in question, to cut down on the distance that I felt was involved (there's always a spatial component to time, but that's another post). The purpose of these strands was to present other possibilities to the situation that could help me move in a direction I wanted to go toward.
After creating the additional strands for each situation, I ended up having situations occur that modified the problems blocking the desired outcome. In one case it was finding the right person to add his/her influence to the situation and in the other situation, it was taking a different approach. But what I really got from this situation was a different sense of time as it relates to the connection between people. It's confirmed some of the research I've read and also given me some leaping off points for the magical work I plan to develop as a result.