Sentence stems as a form of writing magic

I recently came across a new writing technique that I am using as part of my personal development work, but I’ve also found it has some interesting applications for writing magic. This technique is called sentence stems and it was developed by psychologist Nathaniel Branden. The way the sentence stem works is you are provided a partial sentence and then you fill the rest of the sentence out with your own answer. Below are a few examples of sentence stems:

If I were to take 5% more responsibility I would…

Taking care of myself means…

I am becoming aware of…

The sentence stems provide the core of the sentence, but require you to finish the sentence. Ideally you write out a few sentence stems around an area of your life that you want to work on and then you fill them out each day. A month is typically suggested for working with the same sentence stems. This is a repetitive process, but the benefit of the repetition is you get to see how your answers evolve. A couple of examples of filled out sentence stems would be:

Taking care of myself means I am exercising each day, eating nutritious food and getting the sleep my body needs.

If I were to take 5% more responsibility I would write enough content to be scheduled out for several weeks.

I’ve been applying sentence stems to my magical practice as well. I use a sentence stem as a foundation and then complete the sentence. I use it for several purposes. The first purpose is to refine my awareness around the specific result I want to manifest. By continually writing out the sentence stem over a period of time I get the opportunity to drill into the result that I want to manifest and consider the different iterations of that expression. This process helps me develop a precise awareness of what I want, and allows for more effective targeting of magic.

The other purpose I use it for is sigil generation. After I write out the sentence stem multiple times, I can pick out the best expressed statement of desire and then use the classic method of sigil development, where you get rid of repeating letters first, and then vowels or consonants, if you still have too many letters. The sentence stems make it easy to come up with different statements of desire that you can turn into sigils around whatever you want to work on magically.

I’m also experimenting with using sentence stems in my writing magic practices, with the idea being to pick a specific them and use the sentence stem in my journaling to write that theme into reality. I’ve done some similar journaling practices in the past, but what makes the sentence stem different is the deliberate repetition. The repetition conditions your consciousness to focus more on the theme you are writing about and this in turn allows you to be receptive to how that theme shows up in your life.

Sentence stems is another example of how a writing practice can be taken and applied to magical work in order to get consistent results. It’s also an excellent method for doing internal work on yourself and having an objective record of the work.

A Writing Magic Exercise

My latest post on Patreon explores how to apply magic to the process of writing.

I'm a firm believer that magic can be done by incorporating creative activities into your magical work. It's one reason I like to do paintings for both practical magic and spiritual offerings. Another practice I enjoy doing involves incorporating writing into my magical work.

The influence of Cut-up on my magical work

Reading over some of the bibliographic articles in thee Psychick Bible reminded me of my own history with the cut-up technique that William S. Burroughs and Brion Gysin developed. In the spring of 1998, I had the fortune to take an English literature class that focused on the works of William S. Burroughs. The professor was one of those rare academics who was willing to take risks and offer something different from the standard fare you'd typically find in colleges. That course introduced me to William S. Burroughs and his writings, and changed my life. In Burroughs, especially his later works, I found an author I could identify with. Throughout his works were allusions to esotericism, and how to incorporate magic into writing, and how writing could shape space and time...and of course the cut-up technique. Ironically, I took the course because I wasn't sure what else to take, but taking it challenged me to look at writing and literature in a different way than I ever had, and it was ideal for a young occultist that was just beginning to explore magic from an experimental perspective.

When I think of the cut-up technique, I think of cutting up magazines and newspapers and my own writing and then gluing it altogether in my room, and later taking it and transcribing it to some story I was writing, while listening to the spoken word of William S. Burroughs, his dry crackling voice gleefully describing alien situations, weird sex, and evil old men out to conquer death. That was my first real work with cut-up and it was something I continuously experimented with over the period of about 4 or 5 years. I still do an annual collage or two each year (you can see one of the 2012 ones in this post).

I later began experimenting with cut-up via magical work more directly, actually using the altered state of consciousness to do an automatic cut-up sigil in the style of Austin Osman Spare's sigil work. These cut-up sigils were used for a variety of purposes including the two evocations I mentioned in my recent post about magic and proof. I found this approach to be highly effect because it literally involved a rewrite of reality. First I'd cut-up the conventional reality that had already been created, and then reform it into my own collage message to the universe, complete with a reformatted space and time. The universe has always been kind enough to respond and its a technique I use to this day.

What fascinates me the most about cut-up is how it can be adapted to a wide variety of mediums outside of writing. Art, sound, and video all offer potential explorations of cut-up, some of which have already been experimented with by various people. Cut-up is a mutable technique, a mutable form, and inspires mutation in general. It's flexibility, in terms of mediums, makes it ideal as a magical technique because its not restricted to a specific way to do it.

Here's to William S. Burroughs and Brion Gysin for offering a new perspective on writing and in the process offering so much more!