pop culture

How to use game creation to construct pop culture magical workings

I discuss how game creation can teach us principles of magic that can be applied to pop culture magic workings as well as magical workings in general. I also share a couple of ideas on how to use game creation to construct magical workings that are executed when a game is played.

Can social media become an expression of magical workings

When I recently asked my Facebook group what questions they had about social media magic, because of a book I’m getting ready to write on the topic, it didn’t surprise me that some of the questions I received were skeptical ones that questioned if social media could even be used as a medium for magical work. I understand why that question is asked, because the prevalent image and associations of magic are all based around traditional perspectives of how magic ought to work, with traditional tools that don’t really touch on modern technology and using it for magical purposes.

Yet nonetheless modern technology has been used in conjunction with magic and is being used with magical workings in order to get results, by myself and many other people, because the simple fact is magic isn’t limited to a specific toolset or way of doing things. Those limitations are human imposed and say more about how we limit our understanding of magic and how it can be practiced and what can be done with it. If we recognize the limitation as self-imposed then we can let go of it and start exploring how to adapt social media or anything else toward magical work.

Can pop culture spirits die?

One of the questions I ask is whether or not pop culture spirits can die, especially when they die within a story and it becomes part of the canon of the story. Are the pop culture spirits because the character is dead in the story and can you still work with them? In this video I share my thoughts on these questions.

Pop culture magic and wintering

I am finally coming out of my wintering. Its been a year long process, but in the last few weeks I’ve felt something within me switch. While there is still grief over recent life changes, I felt like the winter snow and ice is melting and the seeds of Spring are beginning to sprout, with the promise of possibilities turning into realities. Still in order to even get to that place, I had to go through the experience of wintering. This proved to be a transformative experience and one of the allies I drew on what Johnny Lawrence from Cobra Kai.

At the beginning of Cobra Kai, Johnny is going through a wintering experience of his own. He’s washed up, just going through the motions, and he has to embark on a hero’s journey to discover himself, but also to help his students. Of course, as with any such journey, Johnny inevitably encounters his share of troubles some of which are created by his own actions. A lot of the times Johnny trips himself up and I could relate to that, because I’ve done the same. It was easy, as a result, to work with him during my own wintering experience.

Ragnarok and the nature of avatars

I recently binge watched seasons 1 and 2 of Ragnarok. It’s a modern retelling of the Norse myths, but what I found most interesting about the show is how they explored the giants and gods in the modern story. The giants are running the town and eternally cycling from young to old, while the gods end up end up manifesting as avatars that are woken up in order to fight the giants, but what’s interesting is that what is implied is that any person could become a god if they were activated.

It’s a pop culture rendition of the Norse myths and as always I find the pop culture retellings to be fascinating, because in a way a pop culture retelling is also an avatar of a mythology that has been activated to help perpetuate that mythology. Whether the pop culture is a TV show, video game, book, or comic, or some other form of media, when it calls attention to the original mythology, while also doing a retelling of the mythology in a different context, it perpetuates the mythology. This is part of the power of pop culture. It takes old stories and makes them new again.

Why pop culture magic isn't limited to the latest pop culture

Lately I’ve been watching the 2004 remake of Battlestar Galatica. I’m really enjoying re-watching the series because of the different themes that are interwoven into the story. Yes there’s the SF theme of space battles, but there’s also the exploration of mystical and spiritual themes, such as some of the characters interacting with spirits. However what really interested me about the show was the Hybrid character that pilots the basestars and how they live in a state of being that can be described as non-linear. When they tell the ship to jump, I think of that as having some potential to be worked with in terms of space/time magic.

Algorithms and magic

I recently finished reading The Creativity Code by Marcus Du Sautoy (Affiliate link). What really fascinated me about this book was the in depth exploration of algorithms, which essentially are code that is used to predict behavior. A basic example of this can include visiting a website and then later seeing an ad for that site on your Facebook. When you visit a site, if that site has a Facebook pixel, then when you are on Facebook, you get ads from that site because by visiting that site you’ve indicated interest in what is on that site. Amazon employs algorithms on its site for similar purposes, using your behavior to predict what you are likely to buy.

You’re probably wondering what if anything this has to do with magic. Reading that book and learning more about algorithms got me to thinking about how you might design a magical working to be self-improving or to be behavior based, depending on what you or the focus of the magical working did. In general I treat my magical workings like programming code, because I don’t see a magical working as just a strict execution of the working, but rather as an organic, evolving working that can change, depending on the variables that come into play. Applying an algorithmic perspective could take this even further.

Social Media Sigil Technique

In my recent interview with Soviet Mercedes, one of the topics we ended up talking about was a social media sigil technique based off using hashtags. Soviet Mercedes inspired this idea for me, because of how she uses hashtags on her FB posts, especially one in particular: #meetmeatthebank. I’ve recently started adding this hashtag to my daily gratitude posts as well as any other posts oriented around wealth magic.

This particular hashtag embodies the concept of wealth magic, because the bank, in one form or another, is where your wealth goes. Whether it’s a physical bank, or a metaphorical one or the bank of your body and the health you have, to meet at the bank is to also meet in the place of your wealth. It’s also where you show your receipts, because those receipts validate what you bring to the bank and what in turn the bank provides you. Note: This is my interpretation of #Meetmeatthebank and not necessarily how Soviet Mercedes would define it.

Why pop culture magic works

I always find it interesting when critics of pop culture magic make the arguments that pop culture magic either can’t work or if it does work, the results aren’t as good as other systems of magic. I wonder why they make those criticisms, especially when its clear that for the most part they haven’t actually tried pop culture magic, and therefore don’t have any qualified experience to critique pop culture magic. The conclusion I’ve come to is that such critics attack pop culture magic because they feel threatened by the idea that pop culture magic my supplant their practice of magic. As a result, they feel the need to try and take pop culture magic down.

When I first started writing articles and later my first book Pop Culture Magick, I was on the receiving of similar criticisms. I was told I was reinventing the wheel and that pop culture magic wasn’t real magic. Nevertheless I continued writing articles and books and giving talks on the topic, because I knew there were other people practicing pop culture magic and I also had tangible results from using pop culture magic. And over the years I have heard from people who read my books and articles and told me how they didn’t feel so alone and realized that pop culture magic could be a viable path of magic, one where viable systems of magic could be developed and used.

Cobra Kai and Pop Culture Magic

One of the most fascinating aspects of pop culture (and by extension pop culture magic) is how pop culture reinvents and refreshes itself. The most recent example that comes to mind is the show Cobra Kai, which was recently acquired by Netflix. This show takes place 30 years after the Karate Kid movie series and is an update on that series, which focuses on the characters from the first film (initially). I watched the entire series myself recently and like many other people got caught up in the Karate Kid saga again.

There’s two factors that make a given pop culture relevant for people who practice pop culture magic. One factor is the personal relevance you attribute to a given pop culture. People who are die hard fans of a pop culture will be so invested in that pop culture that it won’t matter if it is or isn’t relevant to other people.

Can you still practice pop culture magic if the pop culture has been cancelled?

The other day in the Pop Culture Magick Facebook group I asked the question: “Can you still practice pop culture magic if the pop culture has been cancelled?” I used the recent example of J. K . Rowlings and her comments on the Trans community as an example where someone might practice pop culture magic, but have an issue with what the creator of that pop culture said or did. could that person still work with the pop culture itself.

If you click the link above, you’ll get to see the responses to my question from the community. There were answers all across the spectrum on this issue and I feel like all of them were well considered. But here, I thought I would share my own answers to this question.

Two examples of pop culture spirits I'm working with

I’m currently engaged in three pop culture magic workings. I’m going to share two of those workings now, because it’s a good example of how working with two different pop cultures can be effective, under the right circumstances. The two workings are focused on the same goal. Each working is an evocation of a pop culture spirit that’s been chosen for strategic purposes. The pop culture spirits I’m working with are Grand Admiral Thrawn from Star Wars and Sam Bridges Porter from Death Stranding.

I’m working with Grand Admiral Thrawn because of his strategic genius and his ability to apply unconventional thinking toward solving situations. Thrawn has an appreciation of art, and uses the study of art to understand other cultures and the way those cultures behave. Thrawn also puts his community first. He doesn’t act from selfish ambition, but rather from a focus on trying to figure out how best to serve his community and put the community welfare first.

What Death Stranding can teach you about spiritual work

One of the games I’ve been playing lately is Death Stranding. It’s a fascinating unique game, where you build structures, while trying to deliver packages to different locations, all while trying to avoid ghosts and mules (delivery people gone rogue). But that description really doesn’t begin to do justice to what the game is about. Over on my fiction blog, I’ve written about the connection aspect of the game, but here I thought I would write about the spiritual aspect, because this game has made think about my own spiritual journey quite a bit.

In Death Stranding, you have to figure out the best possible path to deliver your goods, without letting them get damaged and that isn’t necessarily easy, even with the array of tools you have available to help you. You have to figure out how to navigate the inevitable obstacles, both natural and unnatural that you encounter and you need to be patient and take your time. It’s a lot like spiritual work actually.

How pop culture spirits evolve

I’m always fascinated by how pop culture spirits change with the times. Older spirits are more set by the context of the cultures they originated from, so although they may change somewhat through the lens of modern culture, pop culture spirits are more flexible and fluid in some ways. Yet they too can become fixed and set to some degree by the expectations of the fans that enjoy the pop culture they originate from. And yet sometimes a spirit can break out of the mold in unexpected ways.

Recently I went to see the new Joker movie. I saw it once and I went back and saw it again in the theater (something I normally don’t do). Why did I go back? Because the Joker movie isn’t really a movie. It’s an experience of a person becoming the Joker. The second time I saw the movie, I watched how Joaquin Phoenix used his face and eyes to convey the gradual evolution of Arthur into Joker, but what I also saw was a dynamic rewriting of the pop culture spirit of Joker, in a direction that no one else had taken him.

A pop culture magic pathworking with stranger things

In this video I'm doing a pop culture pathworking with stranger things. I'll share how I've set up the pathworking and then we'll actually do it. Feel free to join along

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