spirits, Magic
Taylor Ellwood
The relationship between sacred kingship and ...

One of the books I’m reading lately is King, Warrior, Magician, Lover by Robert Moore and Doug Gillette. It’s a fascinating book that explores the archetypes of the mature and sacred masculine. This is currently part of the spiritual work that I’m engaged in as I explore my own relationship with masculinity and heal the ancestoral and contemporary wounds that I’m becoming aware of as it relates to how masculinity is treated and perceived in modern times.

One of the aspects I’m exploring in particular is related to sacred kingship and the land. I am in the process of exploring the new city and surrounding areas that I live in. While I’ve lived here for a year, I didn’t have much opportunity until recently to really begin exploring the area and developing a relationship with the land. I find it fitting and useful that part of the process has also involved cultivating a relationship with the land, particularly on the basis of the relationship has with their home and how that relationship plays out in sacromagical work one does in connecting with the land.

Magic

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The rules of Spirit Summoning

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Photo by Farzad Sedaghat: https://www.pexels.com/photo/mysterious-shadow-behind-dark-backdrop-3809379/

Lately I’ve been reading books on how to work with Daimonic spirits, as research for my next book in the walking with spirit series. One of the subjects I find fascinating about the books is the rules that the authors provide for summoning spirits. From what I can tell most of these rules are arbitrary rules, personalized to the theories and ideas that writers come up with as a way of explaining how to safely call forth the spirits. While there is some consistency in regards to utilizing angels to help in the process of summoning the spirit, the process itself seems to vary from purely psychological and symbolic workings to elaborate ceremonial and ritual magic.

The question that arises in my mind is how much any of these rules are essential and how much of them are arbitrary, based on cultural and religious assumptions and modalities that create a narrow and limited perspective of what it means to work with a spirit. When we step outside the Western informed framework of spirit work what is discovered is a multiplicity of perspectives on working with spirits, all of which provide valuable insights and perspectives about how to work with spirits without necessarily employing everything that is brought into play with the Western model of spirit work.

One of the assumptions that we ought to question carefully is what we believe about spirits versus what we know about them versus what we are told about them. Take a piece of paper and write down what you believe, what you know, and what you have been told. Where did each of these perspectives come from in your life? What informs your beliefs, the facts, and your experiences?

And here’s another perspective to consider? What did your ancestors believe about spirits? You may be able to ask your parents or grandparents directly, but go back further. What did your ancestors a century, or two centuries or further back think or believe about spirits?

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Inner Alchemy of Life: Physiological Magic pt 2

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In part 2 of Physiological Magic I share how I gradually evolved my system of physiological magic and discuss the thought process and methodology involved in the evolution of that system, as well as how this enabled better communication with the neurotransmitters and hormones.

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Releasing Old Identities: How changes in appearance inform reality

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picture copyright Taylor Ellwood 2023

For the first time in over 30 years, I cut my hair short. I've had long hair since I was a pre-teen but I recently decided that I wanted to make a change. I felt like it was time to cut my hair and in the process shed old identities in favor of new ones. For me, getting a hair was a magical act of identity transformation. I had long hair for so long and in a very real sense it was an established part of my identity as a person and even as a magician.

Yet identity is fluid and malleable. What seems fixed can be changed. A lot of times what makes your identity seem fixed has more to do with your perspective and attachment to that identity than to the actual physical reality of it. I kept my hair long because I was attached to how I looked, and how I felt about having long hair.

The act of getting my hair cut may not seem overly magical, but for me it was the choice to let of attachment to appearance, to looking a specific way. It was the choice to let go of not just the physical appearance of long hair, but also all the attachments I had to that appearance and just as importantly it was an act of letting go of the weight of that hair, physically, but also metaphysically.

An astrological magic working with Saturn and the Moon

Picture copyright Taylor Ellwood 2023

One of the ongoing magical experiments I am exploring involves integrating astrological currents into my magical work so I can optimally draw on those experiences to help me with my magical processes and work. Recently there was a new moon and Saturn was going retrograde. It seemed like the perfect time to do a magical working to capture the essence of the experience and apply it to my life.

For the working itself, I created a painting, where I painted the Astrological symbol for Saturn, the moon, and then painted the sign for Leo. I picked Leo because Leo is where my Saturn sign shows up in my natal chart and because Saturn in Leo represents the need to work on self love, specifically applying it to your life.

You can apply a similar approach to your own life, by taking the time to learn about the astrological currents that are currently happening and may apply to you. Working with an astrologer can be helpful for getting this information, but applying it magically is ultimately up to you.

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The Scythe of Saturn: A consideration of cyclical aspects of Saturnic work

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One of the themes of my inner work this year has been around Saturn, in terms of sacred masculinity, but also in terms of space/time magic. I've lately been reading the book Saturn in Transit by Erin Sullivan which explores the astrological influence of Saturn on the transits. One of the more intriguing points she makes is the following:

"The need to castrate our old oppressor in order to install a new order, then swallow out creative issue so as to preserve the status quo, is quite normal in the various stages of development. When we recognize that this is a process, and one, moreso, which repeats itself, we are freed to re-enact this scenario over and over again without reserve. Saturn is the planet that establishes our rites of passage from the one status quo to another and, as that functionary, should be regarded with respect and not with fear and dread. Furthermore, once we recognize that the revolution is originating from within, we are then more capable of conspiring and cooperating with the timing of the events precipitated by the transit."

What I've observed in my own work with Saturn is that there are cyclical aspects of the work that need to recognized in order to get the most out of the work. Once I recognized these cycles and started employing them, I was able to get a lout of the work that I had previously missed out on. So what are the cycles?

The cycle of Fear - Saturn connects us with our fears, because the fears we feel often play a role in the limitations and boundaries we experience. However the real depth of Saturn with fear is that Saturn shows us how we sabotage ourselves with our fears. The mythos of Saturn demonstrates this because of how Saturn sabotages himself with his fear off being overthrown. We can either allow our fears to control us and sabotage our possibilities or we can learn to be present with those fears and discover how to work with them in an intentional way that allows us to liberate ourselves and achieve our potential. Saturn challenges us to do the latter by causing us to experience the former.

How to Cultivate Patience in your magical practice

picture copyright Taylor Ellwood 2023

In March, I started attending a Kung Fu school. I had previously been taking Qi Gong classes there but I finally cleared some obligations away and was ready to begin my Kungfu practice. For the last several months I’ve been learning specific techniques at the white belt level that will help me advance to the yellow belt, and today my Sifu determined that I learned them enough to qualify for my first yellow stripe. I appreciate earning that yellow stripe, because I put a lot of effort and exercise into learning the techniques. I can still improve on them, but I have learned the basics.

However the most important lesson I have learned from this process of learning these techniques is patience. I needed to put the time and effort into learning the techniques and I needed to let go of any expectation on when I might advance and instead simply focus on learning the techniques and letting those techniques teach me…not just the movements or the qi, though I learned about those things, but also the virtue that comes in focusing on the practice for the sake of doing it without expecting anything.

I’ve applied this same discipline to my magical work, because as I’ve learned various techniques over the years, what I have always come away with is an appreciation that truly learning those techniques has involved repetition, focus, and dedication. And while I have experimented with various techniques and systems, that experimentation has always occurred after I had already invested substantial time in learning the given system or technique as it is. If you want to learn any practice, in any discipline, you must cultivate patience. And actually that applies to other areas of life as well. But for this article I want to speak to how you cultivate patience for your magical practice.

Common problems with sigil magic

Picture copyright Taylor Ellwood 2023

With any type of magical working there can be challenges that occur which need to be addressed if you’re going to become proficient in that magical working. For this article I’m going to address issues that can occur with sigil magic that may cause your sigils to fail and suggest possible actions you can take to help you improve the efficacy of your sigil magic. Context: When I refer to sigil in this article I’m referring to the chaos magic method of sigil, as opposed to a spirit’s sigil.

I also want to note that with any type of magical working, it can be normal to encounter failures as you learn how to do a given magical working. As with any discipline you learn, it takes time, practice and experiences to develop the expertise and skillset that produces better results. with that said, let’s explore the common problems that can occur with a sigil.

1. You don’t have a well defined statement of desire. The basis of any sigil is the creation of a statement of desire. The statement of desire establishes the intent and defines the desired result, ideally in concrete terms. A well defined statement of desire not only defines the result but also ties up any loose ends. A poorly defined statement of desire leaves room for interpretation and in my experience when there is room for interpretation there is also room for results not manifesting exactly what you want.

For example the statement I want a job is a very broad statement. We can use that statement, but unless we’ve put some thought into the programming of it we are leaving a lot of room for interpretation and that room for interpretation can leave the door open for not getting the result you want or getting one that seems to fit the bill but has aspects you don’t care for.

I treat sigils as programs so when I create a statement of desire. The statement of desire should be the finalized expression of your thought process and include what you want, as well as excluding what you don’t want. When I create a sigil from the statement of desire I put all of that programming into the sigil, in order to define, focus and crystallize the sigil.

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Creating The Beltane altar for Coalessence

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Picture courtesy Joanna Brook

Recently I was given the opportunity to create an altar for the Coalessence Ecstatic dance community which has dances every Sunday and Tuesday. It was the Sunday before Beltaine, and on a spur of the moment I decided to volunteer, feeling moved to create an altar. I decided that the theme/focus of the altar would be around Beltaine, and I would dedicate the altar to my patron goddess Aphrodite and patron god Eros.

My approach to creating this altar was also informed by a desire to consider the aesthetics of the deities I was working with as well as the energy I wanted to call into the dance hall. I wanted to make the altar into an art magic working that would call forth the divine power of Aphrodite and Eros and inspire the dancers to celebrate the energies of Beltaine.

I started my process by choosing the items I would bring from my home to the space I was going to be working in. I brought my statues of Aphrodite and Eros, conch shells I had placed on the altar, a bracelet with the inscription of “Live in the Moment,” some crystals in the shapes of hearts, a Lapis Lazuli necklace, a crystal goblet, and roses I recently bought for my beloved, but also as an offering to Aphrodite, since we both work with her.

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How to Fuel your Magical Entities and get better results

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Picture copyright Taylor Ellwood 2023

Recently I was asked a question about how I fuel magical entities. The person asked if I relied upon deities, elemental or planetary currents or other traditional forms of fueling that are typically used with magical entities. It's a good question to ask, because there are many different ways you can set an entity up, both in terms of how you fuel it, and in terms of other specifications and customizations you can make to the entity.

While I can and do draw on more traditional methods for fueling entities, these methods are only one part of my process for fueling entities (or doing any other kind of magical work that requires a fuel source). The benefit of drawing on more traditional sources is that they are tried and true. For example if you create an entity that's focused around love, it makes sense that you might draw on the Venusian current or seek the aid of a love deity to help you with empowering the entity to perform it's specific tasks.

On the other hand, one might rightfully ask why not just go directly to the source and work with the love deity or the planetary energy without drawing upon an entity for the purposes of doing the spiritual work? Certainly that's a good question to ask as well.

The reason I choose to work with a magical entity is because I can tailor the entity toward the specific needs of the situation, which can be useful, especially if the situation doesn't exactly fit within the domain of a given spirit's influence. Another reason I might create an entity is because I want some distance from the situation, but I still want a magical working to be done, but through a lens that focuses in on my understanding of the situation. A deity or more traditional spirit may not have the exact understanding of the situation that an entity can be programmed to have...and that can be very useful with specific examples.

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Deep Cleaning as a form of Release and Healing

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Photo by Riya Kumari: https://www.pexels.com/photo/photograph-of-person-sweeping-the-floor-1433350/

Just this past weekend I decided to do a deep cleanse of my house. My roommate was moving out so I was going to need to clean anyway, and it gave me the perfect opportunity to do a physical deep clean of all the rooms of the house and in the process also do a deep clean on the emotional/mental and spiritual levels of the house and myself. I had previously done a deep clean in the fall and this process helped me realize that this should likely be a twice a year event.

I do a lot to keep my house clean normally, but a deep clean is different. With a deep clean what I'm doing is getting everything cleaned on every level. I'm also getting a work around as I move furniture around and so this process becomes a purification on the body level as well.

I also treat a deep clean as a cleansing of emotional and energetic residue that needs to be released. For me, this deep clean was about releasing the residue from 2022 that had been acquired through various experiences I had. Before I started cleaning I called to the spirit of the house and land and asked their blessing for the cleaning. Then I called on patron deities and asked their blessing because I'm cleaning this space as a devotional activity for them as well. Once the blessing is received, the cleaning becomes a work of service to the house and deities, as well as to inhabitants of the house.

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Further Scrying Experiments

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I took a little break from my scrying experiments because of a weekend trip I took where I did a lot of intense shadow work. I knew I needed to make time to integrate that work back into myself and that doing scrying work on top of that work wasn't a good idea.

But on Saturday night I decided I as ready to start the scrying experiments up again. This time I chose to work with Goetic Daemon Andras, around helping me release and let go of some fear I'd been feeling and to help me also get to the core of that fear.

I chose to evoke Andras via a candle and the black mirror. I also recorded a video of the scrying via Instagram, in part to set up the phone recording as another version of the scrying. What I've noticed is that when I record the scrying, it actually creates an intriguing effect with the candle, where the light of the candle creates a sphere of light in the recording that can also be used for scrying.