I've been doing the first set of dance stretches in the Laban book for a little while now and discovered in the process an awareness of my body and its muscles I previously lacked. It's quite an intriguing feeling and it's translated out into the dance floor in terms of some moves I've been doing that previously I wouldn't have thought of. I also have used it as part of my paratheatrical work and one of my next paratheatrical works is going to involve using excitatory work to get in touch with my body consciousness, per the suggestion of a reader of this blog. I find that Laban combines very nicely with paratheatrical work in terms of getting the body revved up, but this will a further experiment of actually using Laban to work with my body consciousness directly.
On a different note, I did take a different tact with the body work, in terms of inhibitory meditation and found that focusing just on one cell led to better results in terms of working with the consciousness of the cell and getting another possible direction I can take my time work as a result.