Call For Papers: Queer Magic Anthology

Please feel free to copy and pass this along to anyone or any community that might be interested... Call for Papers/Writers: Queer Magic Anthology…(title to be determined…)

E-mail for inquiries and submissions: aediculaantinoi (at) hotmail (dot) com; please put “Queer Magic Anthology” in your subject line.

Megalithica Books, an imprint of Immanion Press (Stafford, U.K./Portland, OR, U.S.A.) is seeking submissions for an anthology on queer magic and/or ritual.

For the purposes of this publication, “queer” is primarily defined as anything of a non-majority sexual orientation (e.g. gay, lesbian, bisexual, pansexual, etc.), or atypical gender identity (e.g. transsexual, transgendered, intersexed, genderqueer, metagender, etc.). Other things may be part of the widest understanding of “queerness,” including relationship styles (e.g. polyamory, etc.) or sexual practices (e.g. BDSM, fetishes, kink, etc.), and indeed magic, occultism, and paganism themselves (since they are “non-normative,” which is an agreed-upon definition of “queer” within many academic circles), but the focus of this volume will be on queerness particularly as it applies to gender and sexual orientation.

This is not an anthology that is intended to be about “personal stories of the intersection of magical/occult/pagan/spiritual identity and queerness,” but instead about queer perspectives on magical, occult, and esoteric topics especially, but also possibly the impact of queerness on pagan or spiritual topics (e.g. theology). Further, where and when these topics of paganism and/or spiritual identity and affiliation might be addressed, this is not an anthology about “coming out spirituality” (e.g. the idea that it is okay to be LGBTQ and pagan/Thelemic/Santero/Hellenic/whatever/

&c.; “coming out” as ritual/initiation, etc.), nor should essays primarily be about how queerness of whatever sort gives one a better perspective or understanding on energy polarity or gender wholeness within any of these magical/occult/pagan paradigms (e.g. the idea that gay men are more naturally gifted, magical, or shamanically-inclined because they are more in touch with their femininity, etc.). The latter has been done to death already; the former is an important first step in these matters, but as with all Megalithica publications, the intention with this anthology is to go beyond introductory matters whenever possible.

Personal stories that are primarily about alienation from mainstream magical/occult/pagan circles because of one’s queerness are not the focus of this volume; if discussion of such is relevant to the wider aims of one’s essay, that’s fine, but having those wider aims is a necessity. If you want to do a piece on “queer love spells,” it would be better to address theoretical issues of how they’re different or in what ways their methodology is unique and presents challenges or enrichments, rather than giving templates or sample ritual/magical texts. Essays on how to adapt “non-queer” spells/rituals/practices to a queer context, or lists of correspondences and deities for particular queer issues, are not very desirable…unless they’re extremely innovative and unique!

Some particular issues of interest might include:

How does one’s queerness suggest different viewpoints on particular aspects, methodologies, or theories of magical practice?

Just as one’s queerness may give one more useful insights on some magical or spiritual matters, are there likewise blind spots that one’s queerness may cause, and how can one address those usefully from a queer perspective?

Are there historical precedents or particularly interesting figures in relation to queerness within one’s magical or spiritual tradition?

Are there any useful practices or texts from the past (e.g. the Greek Magical Papyri; mythological tales featuring queer figures; established traditions with queer themes; historical figures who were known to be what we understand as queer; etc.) which can be used today, usefully adapted, or mined for insights for use in the very different contexts of the modern world?

What are some magical methods or procedures that one might use to creatively deal with what are viewed as queer-specific issues, like homophobia/transphobia/etc., safer sex practices and education, forming and interacting with the LGBTQ communities, legal and political activism, LGBTQ rights and equality struggles, etc.?

Are there “pop cultural” and “multi-media” magical techniques (see Taylor Ellwood’s various publications for further ideas/information!) or practices that can be employed in interesting ways for queer folks? Ideas may include: use of personals websites/Craigslist for spell casting or divination; drag performances as aspecting/invocation; uses of cruising and the entire bar/club scene for ritual work (which can be rather edgy, and not always in a good way, but nonetheless it’s a possibility); using queer-themed literature and films as bibliomancy or interactive ritual texts/sacred drama (on the latter, think The Rocky Horror Picture Show as ritual/liturgy, but with other possibilities for the film that is the subject of the interaction); use of historical figures (e.g. Harvey Milk, Oscar Wilde, Gertrude Stein), living personalities (e.g. RuPaul, Ellen DeGeneres, Elton John), or characters (e.g. Valerie from V for Vendetta, Sterling [Patrick Stewart] from Jeffrey, Ennis del Mar and Jack Twist from Brokeback Mountain, etc.) as archetypes or spirit/deity-forms/egregores/etc. for queer magical/spiritual work; and so forth.

What are the challenges that can be encountered with the interactions of LGBTQ people and non-queer folks in magical/spiritual communities, and (most importantly) how can they be overcome creatively? What are the challenges that can be encountered with having interaction with a non-magical/non-spiritual person in one’s personal life as a lover/partner/relationship, and (most importantly) how can they be overcome creatively? (By “overcome creatively,” what is meant is anything non-manipulative, non-triumphalistic, and non-resentful that can be done to address and/or alleviate the issues in a situation—which is to say, specific actions, not adoption of attitudes or viewpoints that run the gamut of “try to be open-minded, understanding, and compassionate; deal with people on an individual and context-specific basis,” etc., as the main resolution offered. These should be things that are tried and tested, not theoretical matters. In this type of essay, of course personal experience and sharing of stories are necessary, but if the one you’re considering does not meet all of the above criteria, it will most likely not be considered for inclusion in this anthology.)

…And anything else you might think of which is innovative, interesting, different, new, unique, fascinating, scintillating, wonderful, and fabulous that involves queerness of whatever type, and its relation to and intersection with the practice and theory of magic, occultism, and paganism/spirituality!

Requirements for submission: Citations for all quoted, paraphrased, or otherwise unoriginal material Bibliography for works cited Format should be “Vancouver Style” footnotes—look it up if you are not familiar with it!

Do write in your voice! If you’re academically inclined or trained, feel free to be as intelligent and technical as you like. If your work entirely speaks in the first person about your own experience, that is also permissible, but please use a more formal writing style for as much as possible in one’s piece that is not quoted speech. Unless you do so sparingly, or define your terms (either in the main text or footnotes), DO NOT use lolcat-speak, text message speak, or anything else that could be considered para-English.

Rough drafts are due August 15, 2009. These drafts will be edited in a back-and-forth process with the editor. Essays should be 1500-4000 words, although if your work falls outside those limits, do submit it – we can discuss this during the editing process. Do drop us an email if you are unsure whether your idea fits into the content. The sooner you start the communication process the better, as after the deadline we won’t be considering additional ideas.

Compensation will be ($25) (paid via twice-yearly royalties from book sales) plus a free copy of the anthology when it is published and additional copies sold at 40% off the cover price to contributors. All contributors will be provided with a contract upon final acceptance of their essays, not when they are accepted for editing. If your essay is not accepted for the anthology, we will tell you after the first round of edits.

The anthology will be edited by Phillip A. Bernhardt-House. Phillip is the author of several articles (academic and non-academic) on religion, spirituality, mythology, theology, Celtic Studies, paganism, queerness, werewolves, and a variety of other topics, as well as a published poet, and is a Celtic Reconstructionist pagan and a founding member of the Ekklesía Antínoou (queer Graeco-Roman-Egyptian syncretist reconstructionist polytheism dedicated to Antinous, the deified lover of the Roman Emperor Hadrian). Phillip’s e-mail address for this anthology is aediculaantinoi (at) hotmail (dot) com.

Immanion Press is a small independent press based in the United Kingdom. Founded by author Storm Constantine in 2003, it expanded into occult nonfiction in 2004 with the publication of Taylor Ellwood's Pop Culture Magick. Today, Immanion's nonfiction line, under the Megalithica Books imprint, has a growing reputation for edgy, experimental texts on primarily intermediate and advanced pagan and occult topics. Find out more at http://www.immanion-press.com.

Call for Writers – Womens Voices in Magic

Call for Writers – Womens Voices in MagicEmail for inquiries and submissions: brandyeditor at gmail.com

Megalithica Books, an imprint of Immanion Press (Stafford, U.K./Portland, OR, U.S.A) is seeking submissions for an anthology on women working in the magical communities, particularly in communities where women have not been extensively published or in which women face stereotyping and misunderstanding within and without the community. These communities include (but are not limited to) groups and individuals working in the Golden Dawn, Thelemic, Aurum Solis, Alchemy, Chaos, and Experimental Fields.

Women have been involved in traditional and ritual magic since the late Victorian era. However women are often viewed as tangential to these communities or as soror mysticae, assistants to the magician. Today women are actively involved in ceremonial magical groups and lodges, alchemy, chaos magic, and Experimental Magic, overcoming stereotypes and creating new visions of magic within the communities.

Here are some suggested topics to give you an idea of the focus of this anthology.

Magical work What magical work are you doing now? How do you describe it? Do you work alone, in a group, or in several settings? (For example, I do is traditional Ceremonial magic, traditional Witchcraft, experimental Ceremonial in a group setting, and I create experimental Ceremonial work.)

Women's work Is your magical work centered in a community where women do not have a strong presence, or in which women face stereotyping? Does it matter to your work that you are a woman? Do you feel that you approach the work in the same way that the men in your field do, or does being a woman affect your magic? Is that affect biological, cultural, magical, or all three? Do you present yourself to the world as a magical worker ("I am an alchemist") or as a woman in your field ("I am a woman alchemist")?

Stereotypes and prejudice Has anyone ever told you "I didn't know women were involved in that?" ("You're the first woman I've met in the O.T.O.!") Do outsiders assume that only men do the kind of work you are doing? Do people assume that because you are a woman you are doing the work in a particular way? (For example, do people assume that because you are a woman, you are doing psychological alchemy, not physical chemistry?)

Do you actively encounter prejudice? Do people talk to the man standing next to you rather than you? Are you silenced in person or online when you try to speak about your own work?

How do you counter stereotypes and prejudice when you encounter them? Are they only annoying, do they actively hinder your work, do they prevent you from doing your work? How important is it to you that your work is understood by others?

Women's history Women's history has been difficult to document. This is as true in the magical fields as in any other endeavor. Mary Greer wrote about the lives of some of the early women in ceremonial magic in Women of the Golden Dawn. Are you aware of stories about women in the traditional and ritual magical fields that have not been told? Are you involved in documenting women's history in the magical communities?

Soror mysticae Stage magicians sometimes have women assistants. This image holds true in the magical field as well; Renaissance alchemists spoke of "soror mysticae" or women who assisted their work. Do people assume that you are not primarily directing or benefiting from your work? Do you work on your own, with a partner of your own sex, with a partner of the opposite sex, or with a group? Do the people you work with support your work? Do you yourself have assistants whose work you direct?

Traditional cultures In your work do you study or interact with people in other cultures and traditional cultures? Do the gender roles in those cultures differ from those of your own culture? Are those roles more or less restrictive, or just different? In what situations does your gender come up, and how do you handle those situations?

Honoring the cycle Women's magic has been associated with women's fertility cycle. Do you find that comforting and supporting, or angering and limiting? How does your menstrual, pregnancy, and menopausal cycle affect the magic you are doing – deeply, tangentially, or not at all? Do you do any specific magic to honor the cycles of the body?

Feminism If you are a feminist, do you present yourself as a feminist in the magical field in which you work? Are the others you work with in your field receptive to your feminism, or are they resistant or defensive around feminist discussion? Do you feel that feminism is central to your work, or do you see your feminism as social rather than magical?

Women's communities Is there a sense of women's community in the field in which you work? Are you actively involved in building women's community? Do you encounter resistance to this work? Are women you work with excited by women's community? Do you and the women you work with see women's community as a way to socialize, a magical path, a parallel community to the mens' community? What is your vision for the women's magical communities of the future?

Rough drafts are due 18 May, 2009. These drafts will be edited in a back-and-forth process with the editor. Essays should be 1500-4000 words, although if your work falls outside those limits, do submit it – we can discuss this during the editing process. Do drop us an email if you are unsure whether your idea fits into the content. The sooner you start the communication process the better, as after the deadline we won't be considering additional ideas.

Essay requirements: • Citations for all quoted, paraphrased, or otherwise unoriginal material • Bibliography of works cited • Prefer APA format

Do write in your voice! If you're academically inclined or trained, feel free to be as intelligent and technical as you like. If your work entirely talks in the first person about your own experience, please include this also. There is a wide range in women's voices, and we are interested in being as inclusive of style as possible.

Compensation will be ($25) (paid via twice-yearly royalties from book sales) plus a free copy of the anthology when it is published and additional copies sold at 40% off the cover price to contributers. All contributors will be provided with a contract upon final acceptance of their essays, not when they are accepted for editing. If your essay is not accepted for the anthology, we will tell you after the first round of edits.

The anthology will be edited by Brandy Williams. She is the author of author of several pagan/occult nonfiction books. She may be found online at http://www.brandywilliams.org and her email address for this anthology is brandyeditor at gmail.com.

Immanion Press is a small independent press based in the United Kingdom. Founded by author Storm Constantine in 2003, it expanded into occult nonfiction in 2004 with the publication of Taylor Ellwood's Pop Culture Magick. Today, Immanion's nonfiction line, under the Megalithica Books imprint, has a growing reputation for edgy, experimental texts on primarily intermediate and advanced pagan and occult topics. Find out more at http://www.immanion-press.com.

Pantheacon 2009 update and a book Review

So as I mentioned in a previous post, I'll be presenting a workshop at Pantheacon as well as being on two panels. On Friday Feb 13 at 3:30 Pm in the Carmel room I will be presenting my workshop on the Elemental Balancing ritual. In this workshop I'll explain how elemental balancing works and how to create your own balancing ritual as well as the risks and rewards involved in this kind of working. We'll discuss the application of using pop culture entities or traditional entities for your balancing ritual and do a pathworking at the end so you can find your element to balance your life with.

at 9 Pm Feb 13 in the Carmel/Monterey rooms I and fellow Immanion Press authors Lupa, Tony Mierzwicki, Kenny Klein, Frater Barrabbas, Brandy Williams, and Erynn Rowan Laurie will be answering questions about our books, Immanion Press, and what it means to be a publisher of cutting edge occult books.

At 11 Am Saturday in the Monterey room, Lupa and I will be part of a panel on the pagan publishing industry, hosted by Llewellyn.

So if you want to meet me, look for me at those venues and otherwise just keep an eye out for me as I'll likely be wandering around a lot.

Book Review: Kaostar! by Francis Breakspear

This is an intriguing book that is mostly focused on practical applications of everyday items to results driven magic. The author offers amusing stories without being pretentious and more importantly includes tips and suggestions that the magician can use to effectively apply the concepts to practical workings in his/her own life.

Something I do wish the author focused a bit more on was the business of being  a magician, i.e. charging people for services. He hints at this throughout the book, but doesn't comment much on it at any length. That said, however, this book does challenge you to think on the edge of the magical kaostar. I really enjoyed it and will definitely take the suggestions and run with them in my own practice.

4.5 kaostars out of 5.

Talking About The Elephant now available

Our first order of Talking About the Elephant: An Anthology of Neopagan Perspectives on Cultural Appropriation arrived on the doorstep this morning! If you want a copy signed by Lupa and I click the link above.

This is Lupa's very first anthology that she's edited--She's very excited at how well it turned out! Cultural appropriation is one of those things that really doesn't get broached in the neopagan or occult community very often, and just as when she came up with the idea for this anthology last year, she's hoping that this book will help spark some discussion.

A wealth magic article, a book review, and body paint

An article on wealth and magic on Reality Sandwich I've already gotten some interesting comments on it. I hope that it gets people to think about what wealth is to them and how they manifest it. I also think there's more to explore there...I may do so in a follow up article down the line.

Review of Meta Magick: The Book of ATEM by Phil Farber

Meta-Magick is an intriguing book which presents readers with an opportunity to create not one entity, but actually a number of entities based off of principles such as attention, passion, trance, language, making, and Fitting. Additionally Farber provides 36 exercises which can be used by people to learn how to integrate these principles into their lives.

Farber also focuses on eight powers: Communication, neuroplasticity, transformation, transmission, beauty, understanding, balance, and opening. The book doesn't overtly focus on these powers much...instead the focus is more subtle. You will experience them through doing the exercises in the book, which is what the author intended.

Meta-magick definitely is not intended to be something intellectually read, so much as it is intended to be experienced and worked with. You will get a lot of leverage out of this book if you do the exercises in them. It's an excellent book to introduce people to magic, but is also good for intermediate to advanced practitioners.

5 out of 5

I did some work with body paints tonight. I find body paints to be intimate as well as beautiful. I use body paints a fair amount in my magic as a way of connecting with spirits, but also connecting with my body and its consciousness. I recommend the body paints which can be washed off with water and soap...you can find them at costume shops fairly easily.

A day of ritual work

Right now Portland is experiencing an unexpected snow storm, which has pretty much shut down the ability to travel in the city. I'm not one to spend my time idly, however. So I decided to do some ritual workings today and have another I'll be joining astrally later tonight for the solstice. I first decided to the second invocation of Atem from Meta-Magick: The Book of Atem by Phil Farber. In the second invocation you create a magical circle in which you anchor specific attributes of attention, passion, fitting, trance, language, and making into the formation of the circle. These attributes are used to form the entity of ATEM. By anchoring the attributes into a physical space, the magician not only creates ATEM, but also utilizes a physical space for Atem and the associated entities of the attributes to reside in. It's a clever approach. I like how it ultimately utilizes the physical environment of the person to create a space where ATEM resides, strengthening the connection it has with the person working with it.

I also did another space/time Tarot invocation of my future self, as well as the evocation of Thiede, Purson, the spider goddess of time, and Xah. I've thought about the role those entities have in this type of working. Thiede is my Space/Time guardian spirit, Purson is finder of potential, and the spider goddess is the weaver of those possibilities into reality. Xah, as my personal Daemon, is both the future self I invoke and also the fox spirit that walks alongside me whenever I walk the silver strands of the web of time. With this working I did my invocation and evocations and then invoked Xah, entering into a trance wherein I could interface with all of the entities while letting my future self shuffle the cards of the second deck. It felt odd to shuffle the cards and yet be in a trance...the movement was much less directed, so the shufflking continued for a while...It actually helped increase the trance. The working itself showed me the steps I needed to take...a lot of it being confirmation of some situations in my life...so I think for the meantime, I'll likely hold back on doing further space/time tarot work until those situations are fully taken care of.

Tonight, I'm going to take a ritual bath and use music, chanting, and trance work to synch in with the solstice working...and enjoy relaxing in the comfort of my home while doing it.

Word

Sometimes it interests me how people will respond to a word. Having read Defining Reality by Edward Schiappa, I know how loaded a word or definition can be, especially when you factor in the agency that informs the use of the word. You really can't be too careful when a word is used, because of how much power that word can have...word as a virus Burroughs might say. *******

In other news, the Spider Goddess of time has seen fit to manifest two of the things I asked her to manifest and there's definite progression on number 3 as well. I won't say more until later.

My latest article on Reality Sandwich

Magic: It's more than just finding parking spaces This article reflects some of my ongoing changes in my philosophy about occult culture and the relevance of magic within it and life in general.

The Latest Issue of Rending the Veil is up

The Latest issue of Rending the Veil is up! It features articles by Patrick Dunn, Cat Vincent, Lupa, myself, and others.

I direct readers of this blog to my article: The Evolution of Magic, which has an important announcement at the end of it. Also my new column: Occult Author Spotlight debuts with a look at Pascal Beverly Randolph. The other articles are also really good. I found Dunn's article on creating an imaginary friend particularly intriguing.

So check out the Samhain issue of Rending the Veil and see what's being done by some of the cutting edge occultists.

In Loco Dei: Pathology in Western Magic

By Vince Stevens In dealing with Modern Western Magic, I and those I work with often find consistent patterns of pathology in Western Magical culture:

• Tendencies to arrogance and self-obsession among magicians.
• An inordinate focus on rebellion, rebelliousness, and distance from the dominant - or any culture.
• An unusual distance from people, processes, nature, and the world at large - a distinct sense of separation.  Magic is push-button, and people, cultures, nature, and even magic are seen as something mechanical, easily boiled down to a fw traits.

These pathologies often trouble I and those I work with in magic.  As magical pratcitioners, as much as we enjoy the activity, the pathologies in Western Magical culture prevent barriers.  Simply, when one joins a group, a list, go to an event, you worry you're going to run into what are lovingly called "the nuts" (and less lovingly called many other things.

I find no reason to think these pathologies are universal to magical and mystical practitioners.  A quick examination of practitioners of magical arts and their legends in different cultures reveals a variety of different kinds of personalities, virtues, vices, and practices.  One can find alchohol-fueled shamans, serene Buddist monks with occult abilities, compassionate Taoist sage-Immortals, and more.  There is no reason to assume the pathologies of Western Magic are universal to magical practitioners, or even have any particular utility.

Looking at these pathologies, I felt they would be best addressed.  So in my small effort to make a contribution to understanding these issues, I decided to ask - just where did these pathologies come from?  Perhaps by understanding these issues, I could do some good.

So, I started at the top.

ARROGANCE: The Christian God.

Christianity was the dominant religion of the West for centuries, and is an odd religion in many ways.  It proposes an omnipotent and omniscient deity of ultimate power that still possesses identifiable human traits of anger, love, and so forth.  Its central deity, despite his great power, allows evil and suffering to exist due to a rebellious minion, later explained as an issue of free will - which one would figure that an omnipotent being could deal with such an issue.  Attempts had to be made to reconcile a rather cruel tribal (Old Testament) deity with a later loving deity, leaving one with a loving being manipulating a messed up world and eventually condoning eternal torment for people for what would be frankly trivial actions.

The Christian God was also a distant being.  His creation was a possession of his own, as were the sentients within it.  He would regularly send disasters, plagues, and so forth upon people and countries, theological weapons of mass destruction.  He had no connection to his creation except as something separate.

However, despite his confusing nature, the Christian God was considered the leader in all things, and thus in many ways, could be taken as a role model.  His commandments were to be obeyed (even if they seemed to benefit those relaying said commandments).  His world was law, and his confusing traits were to be explained as mysteries or by theological acrobatics.

Magical practices of these times were thus limited by the strange issues of this deity: early Western-Christian magic seems to have split between "Natural Science" magic that worked with perceived neutral or divine forces, and a kind of religious magic where one used (or misused) the name of the Christian God, rituals, and so forth to achieve certain ends.  One worked within creation - or stepped into the rather large shoes of the Deity to call angels, coerce demons, and so forth.  There were exceptions (such as the mystical meditations of Honorius and of course the Cabalists.), but such two-sided magic seemed to predominate.

One never left the sphere of control of the Omnipowerful Christian God, but one could act like him.  And in this, I think the seeds of the pathologies of Western Magic were planted (as well as frankly pure social problems).  The first role model was an incomprehensible, erratic tyrant.

Of course, tyrants produce rebels . . .

REBELLION: Shout at the Devil Explaining the problems of the world in light of the hodge-podge of the Christian God proved rather difficult for people - a perfectly powerful, perfectly loving being was dealing with a supposedly imperfect creation.  Fortunately, theology provided a way with Satan, who can be thought of in many ways, but I think of him as a religious plot device.  A McGuffin with horns.

Satan is a figure somewhat less confusing than the Christian god, if only because he's somewhat simpler: a rebellious servant who decided to do his own thing and was, essentially, a professional pain-in-the neck.  You could always blame Satan.

Accusations of Satan Worship were common in Europe for hundreds of years - different sects of Christianity naturally assumed other sects were in league with the devil.  Satan was everywhere you weren't, and the explanation for all bad things.

Satan had two influences on Western Magic in my opinion: 1) First, Satan's influence on popular culture at the time led to plenty of stories of Satanism - and of course Satanic magic.  Faust may have been popular, but similar tales of deals with the devil popped up all over.  The idea of the magician as in league with dark, rebellious forces easily worked its way into popular consciousness, and affected people's expectations of magic.  Would-be magicians, frauds, novelists, and honest seekers were easily influenced - or were glad to influence others - with false grimoires and strange experiments. 2) Satan led to endless speculation, and of course, writing.  He was explored in Paradise lost.  He was written about.  He became a convenient dumping ground for people's fears.  Of course, as the human mind can't resist exploring, he was at times visualized as a hero, or turned into a counterforce to an evil false God with a nice injection of pseudo-Gnostic thought.  Perhaps the ultimate triumph of the idea of Satan were people who decided to actually go worship him, as others had been accused of doing.

However, Satan really wasn't much of a role model, except perhaps for the bacchanalian rebellion he provided against straight-laced society.  He was childishly (and suicidally) rebellious, destructive and lashing out against creation, and in general, a jerk.  He was a mirror-image to the Christian God, and he lived up to it, adding only one new trait: rebellion.

Thus the Western Magician was caught between an arrogant and bizarre god, and a romanticized but destructive rebel.  Magic itself was part of a system that usually involved coercion of beings (and a helping of whatever old pre-Christian rituals could be adapted).

DISTANCE: Blinded by Science As Western Society moved into its scientific age, a more enlightened time, the scientist took his well-deserved place in culture.  New discoveries, rational exploration, and intelligent thought became important to culture.  It's no small feat to say science is something we owe much to in Western society.

However, science still grew up in the culture of the West, and it inherited some of the pathologies.  Science could justify tribalistic identity with "scientifically justified" racism.  Science was seen as liberating us from creation and controlling it - much as the deity had.

Science in Western society, for all its gains, postulated humans distant from creation, controlling it, dominating it.  Despite evolution's reminder of our origins, people were still distant and controlling - just as the Christian God had been.  I will be fully straightforward in my biases - I think a lot of modern Western science hasn't yet transcended its cultural biases.

Unfortunately those biases came from the Western Christian concepts - and people were still following in the footsteps of the Christian God (and in a few cases, Satan's cloven hoofprints).

Science was in a way a boon to Western Magic - bringing in psychology, scientific metaphor, and cultural study.  I'd say in fact Western Magic greatly benefited from science.

However the distance rarely seemed to go away.  I've seen magic boiled down to pure, materialist psychology, fears of "scientificizing" or "psychologicizing" magic, and so on.  Magic, I think, has often suffered self-esteem issues in the West, and thus compensates not by doing its own thing, but by trying to be more like science.  There's a point when if you start being something else, you stop being what you are.

THE SUMMARY Western Magic, though making many leaps in the last decades (or century), still has its pathologies as mentioned in the introduction: Arrogance, Rebellion, and Distance.  The role models of Western culture (acknowledged and not), leave us with these traits.

However acknowledging the past lets us cope with it - and magic is after all transformational.  By acknowleding that Western Magic hasn't always had the best role models (and survived despite that), we can go about developing the future.

Bits and Pieces

I finished reading Language, Thought and Reality by Benjamin Lee Whorf and waltzed right into Defining Reality by Edward Schiappa. Whorf's work was interesting and makes me wonder how much Burroughs might have read or if Burroughs came to similar conclusions about language independently. Defining Reality, by Schiappa, is a favorite book of mine and is a logical extension of Whorf's work and argument that language shapes our conceptions of reality. A definition describes agency, and can be an attempt to control the conceptualization of reality. *********

I've been thinking lately that the more a person exposes him/her self to a particular meme, the more desensitizied s/he becomes to that particular meme. Initially the meme is quite pervasive and powerful, but later it becomes boring, something all too often encountered. You begin to realize that you've been there again and again and again. What makes a meme live? The value and meaning associated with it, but desensitization can take the meaning out of a meme, make it part of the background. Eventually it fades away, the lustre lost in the glow of new memes or simply the lack of meaning a person finds in all those crazy memes. At some point a meme without meaning is a person without water. Dehydrated and dying. Memes only have value when they are provided meaning...even if that meaning is as simple as fulfilling a desire such as hunger or sex.

Magician's Reflection and The Pop Culture Grimoire is here!

I'm pleased to say that we now have copies of the Magician's Reflection by Bill Whitcomb and the Pop Culture Grimoire anthology, edited by Me available. If you've pre-ordered, we'll have copies out to you by Monday at the latest. Needless to say I'm very happy these books are out.

Radio show update and the next issue of silverstar is out!

Tonight I will be doing a show on the power of language from 9pm pst to 10pm PST. Listeners can call in at 646-652-2830. Also next week's show will be on the Competition Blues and ways to deal with competition as well as how to make your competition work for you. The latest issue of Silverstar magazine is now available. Features some excellent articles as well as some book reviews, including Multi-Media Magic by me!

Book Reviews and a meditation on Emptiness

Book Reviews: Grammar for the Soul by Lawrence Weinstein While not a typical book that one might associate with spiritual techniques, this book proved rather intriguing because the author examines how punctuation, tenses, clauses, passivity, etc is used in language to communicate and also empower an individual. As someone who consistently is interested in exploring the connection between language and spiritual techniques, I also found this book useful for considering how I could not only improve my writing, but also improve the efficacy of my magical workings when it came to using language.

Each chapter is only a few pages long, but the author manages to include a lot of information as well as samples for how grammar can be used to empower and communicate, as well as create personal change. The author's narrative is friendly and approachable. I didn't feel lost in a sea of grammar rules. If anything, I felt that I could easily navigate grammar's laws and use them to my benefit, both for my writing and my sense of self.

If I have one quibble with this book, it's that the author didn't include exercises for the reader. While the examples he used were illustrative of how to improve one's writing skills as well as how to use writing to effect personal change, the lack of exercises can keep the reader from realizing the book's full potential, unless they are already active writers. That said, I'd give this book a 4.5 out of 5.

Book Review: The Mind and the Brain by Jeffery Schwartz and Sharon Begley

This book was probably the most fascinating book I read about neuroscience and that's saying something since I find all of them fascinating. In this book the author explains neuroplasticity and how it continues to work in the brains of an adult as well as a child. The author also reviews many of the neuroscience experiments and projects done by various people as well as how those projects have confirmed the efficacy of mindful practices in controlling our habits and thoughts.

What I found really fascinating was how the author's work with OCD patients help them overcome that affliction by learning how to rewire the thought patterns. Equally interesting is the focus on how we can deliberately change our brains not only to heal, but also to continue sharpening our skills. For people interested in the intersection of neuroscience and magic, this book is a must read. 5 out 5

*******

A Meditation on Emptiness

Last night, while at the Deacon X fetish event, I again felt myself feeling empty...I think it was a continuing realization that with everything going on there, I had a sense of loneliness, a sense of not feeling satisfied...a realization, again, that this emptiness is not something that can be cured by the presence of anyone person...that it is something that can be ignored or sometimes not felt, but it is still a fundamental part of life. I felt a moment of anger and frustration...part of me wanted to walk out and just keep walking...but instead of doing that I sat down, and start a Taoist breathing meditation, opening myself up to that feeling of emptiness, accepting it. As I breathed I circulated my energy into that feeling of emptiness and felt my emotions swirl into the energy until I felt very calm. And I felt the emptiness reach out and start teaching me something I could do with the circulating energy to not only calm myself, but direct the emptiness I felt. I directed it into my hands, which I would later put to good use at said event ;)

Still what I came away with is that emptiness can be worked with...not just felt but worked with, which will make the oncoming elemental year very interesting indeed.

Some thoughts on Linguistics and Magic, An interview with Sequential Tart, and Radio Show Reminder

Whew! That is one long title, isn't it? Interview With Sequential Tart

I was interviewed recently by Sequential Tart about Magic and the Self. I discuss some of my previously published works, but also some of my on-going work in identity and magic.

Some thoughts on Linguistics and Magic

I recently picked up Magic, Power, Language, Symbol by Patrick Dunn. I haven't cracked it open yet, but I'm looking forward to reading it, because one of my many interests in magical practice is the combination of it with Linguistics, as I've amply demonstrated in Space/Time Magic, Inner Alchemy, and Multi-Media Magic. It should come as no surprise to readers that my next book project will likely include something on language and identity in relationship to magic. The reason I'm not reading Dunn's book quite yet is that I'm currently reading a little book called Grammar for the Soul by Lawrence Weinstein. I'm already impressed by this book and the author has inspired me to read up on Benjamin Whorf's contributions to Linguistics. In this book, the author looks at how punctuation can be used to evoke emotional states of empowerment and personal change. A colon, for instance, can be used to get noticed by people. And you know...he's right so far. As I've read this book, I've found myself nodding in agreement and underlining passages...and thinking...I've seen this focus on punctuation in multimodality before, but never phrased in such an elegant way. What pleases me the most about this book is that the author looks at how the placement of words, phrases, and punctuation can make all the difference in the mood evoked by that word and punctation usage...it's not NLP, but it is a study of the power of the word.

I think linguistics is one of those disciplines that magicians should start studying on day one of their magical practice. Because so much magical practice revolves around the almighty word, it makes sense that we should focus on the discipline that already studies how the word is used. One of my favorite authors, William S. Burroughs experimented frequently with the power of the word and how it could be used to shape reality. My own experiments with words have always proven to be fruitful: I even evoked my wife into my life using a collage and have occasionally evoked other people as well. Now that's magic at work!

I've always felt that writing is one of the most powerful mediums of magic. It conveys more than information. It conveys emotion, virtual environments, memes, concepts, viruses and so much more...and it's something we can experiment with fairly easily once you know the rules.

Radio Show Reminder

My next show will be today, September 9th at 8Pm Pacific standard time.

Subject : Change your Re-Action to Action!

Summary: Sometimes, whether we intend to nor not, we sabotage ourselves with our reactions. A reaction is a pattern of belief or emotion that causes us to act in a particular way. In this show, I will show how you can change your limiting beliefs and reactions into actions that help you manifest your imagination into reality.

Listeners can call into the show at: (646) 652-2830

Pre-orders for Magician's Reflection by Bill Whitcomb now being taken

We're continuing to be very busy at Immanion Press/Megalithica Books We are quite pleased to announce that we are now taking preorders for the new, revised and updated edition of The Magician's Reflection by Bill Whitcomb! This sequel to his popular The Magician's Companion has been out of print for several years; however, it's due for release in late September (and should arrive just in time for esoZone, where the author will be a featured guest). In addition to revisions and updates, Bill has added some extra material that's never been published before. Not only is The Magician's Reflection an excellent source for symbols in magic, but it gives in-depth information on archetypes, as well as serving as a thorough, practical guide to creating your own symbol set. Click here to reserve a signed copy of this indispensable resource today! EDIT: Technoccult just put up an interview with Bill Whitcomb about psychotronics.

Right Where You are Sitting Now podcast interview with me

On Saturday I got interviewed by Ken and Paul of the Right Where you are Sitting Now podcast. We talked about definitions of magic, my books, and some social cultural aspects of the occult culture. Go here to listen to the show.

Upcoming Releases from Immanion Press

We here at Immanion Press/Megalithica Books have a couple of surprises! In addition to the imminent arrival of DIY Totemism: Your Personal Guide to Animal Totems, we managed to release two other books this month! Ecstatic Ritual by Brandy Williams is a classic text on practical sex magic that's back in print after nearly two decades. This revised new edition has expanded material, as well as an annotated bibliography and other features. Lupa and I had enjoyed the book as readers several years back, and now we're pleased to be a part of making it available again!

Additionally, a last-minute decision led to the release of the new edition of my Pop Culture Magick. Updated with more recent examples of pop culture, and re-edited to smooth out the writing, the content is still the same innovative ideas about integrating video games, RPGs and other geekery with magical practice. We do have a very small number of the first edition left that we're clearancing out at a discount, too, and you can find information on it at the page above.

I like to tell stories

I was hiking the mirror lake trail by Mt. Hood today. It's a beautiful trail, with decent exercise potential, and when you get to the top, you get to see this lake, nestled between mountains. It's quite a site. As I and my wife hiked around the lake, we came across a yellow oblong shaped plant and my wife wondered what it was or what it would like once it blossomed. I told her I knew all about it (I didn't though). As we hiked a little further, we saw a version of the oblong yellow plant open with lots of little bulbous protuberances. I told her if we got too close it'd shoot spikes as us to paralyze so it could then suck our vital life forces out of us. She laughed, fairly amused, because we both knew that this wasn't really true. I like to tell stories though. I like to imagine what something could be, even if it really isn't what I imagined it to be. Stories are magical, to me. Sometimes they end up manifesting real events and sometimes they depict alternate realities, and even when they don't do any of that they entertain, inform, horrify, and communicate, all of which can be quite magical. One of my favorite authors, William S. Burroughs, used cutup to not only tell stories, but splice them and recombine, developing bizarre strains of word virii, by which he'd infect and liberate those who read.

I like stories, because stories present something different, and yet like many magic ritual, they have a formula by which the story creates an environment, tells and shows what is happening within it, and then comes to a conclusion. A good story, makes you feel like you are part of that reality, even if in fact, you aren't. The formula for a story can be useful for creating pathworking meditations (Nick Farrell's Magical Pathworking book demonstrates this rather well), as well as providing a structure you can use to create rituals.

I tell stories, because there are so many stories to be told. It's a kind of magic, and sometimes those stories come true .

Midsummer issue of Rending the Veil is out

The midsummer issue of Rending the Veil is now available. Features articles, by myself, Lupa, Gerald Del Campo, Donald Tyson, Patrick Dunn, and many more.