space/time magic

How to Re-Write and Re-wire Memories

Awhile back I went to a restaurant and took myself on a dinner date. I don't normally eat out alone, but I wanted to re-write and re-wire a memory and I've found that sometimes the best way to do that is to revisit a site and make a new memory that overwrites the old memory.

But what if we can't do that? What if we're too far away or if the memory is simply too triggering?

We may still want to change the memory, but we may need to take a magical approach to doing that work that liberates us from the trauma and tyranny of the past, while also enabling us to transform our present and presence. 

I like to take two different approaches to this kind of magical work.

1. Use pathworking to rewrite the memory and create a new story and narrative

I have used pathworking to rewrite traumatic memories. In the book Magical Imagination by Nick Farrell (Affiliate link), there's an excellent script you can use where you create this idyllic garden in your mind.

The garden seems really peaceful, but there's a rotting tree in it and that tree represents the memories you need to work through. You go into the tree and you find a corridor of doors and each door leads to a memory. 

You go into the memory but you have complete control of that memory. You can change it anyway you want and rewrite the memory and experience however you please.

You can make different choices and cause different actions to happen and transform the way the memory unfolds. It's magical and it can help you change the deep patterns in your life.  

2. Transform the memories with the memory box.

You can also use a magical tool like a memory box. A memory box is a tool where you store memories in order to transmute them into energy in your life. It's similar to that magical tool in the Harry Potter fiction...the pensieve.

I created my first memory box many years ago and I've used it for a variety of space/time magical workings, but one of the workings I do is I store memories in it, and convert them into energy for transforming my life.

The traumatic memories become fuel for empowerment. By removing them from my active and unconscious memory and storing them somewhere else, I let them go from my life and this frees me from the trauma I would otherwise be holding onto and allowing to define me in my life in a way that empowers and frees me from the past so I can embrace the present.

3. And sometimes you just need to do a cathartic magical working...

I said I was only going to share two ideas, but I thought about it and sometimes what you need to do is a cathartic magical working where you release the emotions, thoughts and triggers of the memories.

In the summer of 2022 I hiked Mt. Pisgah. I took with me three letters I had written. Two of them were written to an ex. One was a letter where I just vented over my hurt feelings and another was a gratitude letter. The third letter was for me and in it I wrote about the life I wanted to create for myself. It was an act of magical writing designed to help me create a new narrative for my life.

I hiked all day and I found three different spots. At each I did a ritual where I buried a letter and did a ritual of release where I cut the ties that bound us, and in the process began healing from the traumatic experiences and memories I was feeling. By the end of the day I was physically and emotionally exhausted, but I also feel cleansed and this began a process of healing that is allowing me to radically transform my life.

Our memories don't need to define us. We can turn them into tools, we can heal them and we can let them go and live our best lives.

Imagination as the seed of reality

Imagination is where reality begins. It is the seed of potential and the promise of manifestation and I share why your imagination can be one of your most potent magical tools, as well as how to work it in to your magical practice.

Sign up for From Imagination to Manifestation: https://magical-experiments.teachable.com/p/from-imagination-to-manifestation

How to attune your intuition to the right timing

One of the ways that I work with my intuition involves connecting it to the right sense of timing, in terms of taking action on something that I want to manifest. Not all moments are equal and the right timing can make all the difference in terms of manifesting results that allow you to move forward in the directions you want to go in. Bad timing, on the other hand, can hold you back, preventing you from succeeding because you are picking the wrong time to take action.

The power of having

One of the simplest principles of life, but one often missed out on, is the principle of having. The principle of having is a fundamental form of wealth magic and realization that actively encourages the attraction of what you already have, because when you have it, you can draw more of it to you. It is a principle that seems counter intuitive, but when you consider it in context to wanting something it actually makes sense.

When you want or need something or someone, what you experience is a neediness that can actually repel what you want from you. The reason is simple: when you want something or someone, you set up within your mind and identity the lack of that thing or person that you want and this creates tension between you and what you want, because you are establishing that it isn’t part of your identity and that you don’t really have it. You want it, but the wanting of it creates distance.

Identity as the compilation of the past

In the last week and a half I’ve been engaged in an experiment around how I frame my past, in relationship to my present. This experiment came about as a result of reading The Courage to be Happy (affiliate link) In that book the author makes the point that people often use the past to define the present, justifying their current circumstances because of what previously happened. Certainly, this has been my own experience and I found myself in a place where I was feeling on edge because of events that had happened over the course of the last year.

The author makes the point that an alternate perspective can be adapted, where we consider what meaning a person’s present identity is giving to the past. He also argues that the past doesn’t exist, because its something that can’t be regained It is simply gone. Instead what happens is that people compile their past experiences and use them to justify their current sense of identity. Anything that runs counter to the present experience they want to cultivate is conveniently forgotten and ignored. Consequently what ought to be considered is that a person’s now defines their past as opposed to the past defining the present.

Breaking the web of reality

In Living Magick (Affiliate link) one of the authors makes an interesting claim about how magic can be used to fundamentally break the web of reality, though apparently it can’t be taught, but only carried out as a unique act (Needless to say I don’t agree with THAT assessment). In contrast, in The Elements of Spellcrafting (affiliate link), the author argues that magic is not the direct cause of change, but is merely an influence of change. I agree with him that a lot of magic is more influence based, but I do think magic can, under the right circumstances have causal aspects to it, and be quite a direct force in a person’s life. These two opposing perspectives, where one can break the web of reality (although supposedly only in a unique way) and that magic is only an influence instead of a direct cause of change illustrates the weaknesses in modern occult theories and the limitations that we all too often readily accept in the explanations other people offer us. My own perspectives and theories and processes have their limitations as well, which is one reason I always say challenge what I share, because its not gospel truth, anymore than what these other two authors, or all the rest share.

My process for creating a magical space out of my home

I recently moved into my own space, and this gave me the opportunity to create a magical space out of my home, because the space is entirely my own to design and shape as I please. I decided to employ principles of organic design that I’ve been learning about from Christopher Alexander’s works as well as Sarah Goldhagen’s work on the topic. Both of these people, as far as I know don’t practice magic. They are architects that help design buildings and landscapes. Their knowledge of designed space is quite profound and has been very useful to me in developing a space of my own that not only reflects who I am but allows me to turn my lived in space into a spiritual sanctuary for my magical practice.

I mention their works because as always I find that the majority of my inspiration in magical practices comes from outside the magical current, where the perspectives of other disciplines can be fruitfully employed to inform the way we practice magic. In this case, I’ve taken the principles these authors have described in their books and used them to help me create an organic generative space that enhances my spiritual work, connects with the entity of the home I’m living in (and allows it to become part of the spiritual work), and at the same creates a space that is very comfortable for people who want to visit. In this article, I will walk you through my thought process and the overall development of this as a case study example of how spatial design can be employed to create an ongoing magical space to work and live in.

The Mysteries of Death and Rebirth part 2

We live with death everyday, but we don’t always recognize it. In this video I discuss not just the obvious examples of death, but the subtle nuances as well. I also share some of my previous near death experiences and how they have lead to different rebirth experiences.

Memory Resonance technique

I recently saw the movie The Green Knight. It was a fascinating movie to see because of how it evoked specific experiences during the watching of the movie. Whether this was intentional or simply a byproduct of my own spiritual sensitivity, I couldn't tell you. But what I can tell you is that any such experience can be stored away and used as a way to help you sync up with related experiences.

I call this the memory resonance technique and the way it works is that you use the experiences you are having to connect with the memory of other experiences, and in turn you use those memories to enhance the current experience and open you further to liminal reality.

The Saturnic power of weaving and unweaving reality

Recently I created a magical painting dedicated to Saturn. when I created it I worked with the wet and dry alchemical essences of lead. It was a powerful magical working, but what happened as a result of that working was even more intriguing and powerful in its own right. I was given the opportunity to take a peek behind the curtains and I got a very different perspective of the interweaving of reality and possibility.

When many people think of Saturn as a planetary energy to work with they think of it in terms of limitations and specifically how obstacles, boundaries, and limitations can get in the way of a person’s journey to achieving specific results. Or perhaps they consider the artful application of limitations and how those limitations can actually be used to create a refined and focused magical work that gets specific results. Certainly these aspects of Saturnic work are true and the planetary energy of Saturn can be worked with in that way.

A meditation on centers and life

One of the books I’m reading right now is The Phenomenon of Life (affiliate link) by Christopher Alexander. It’s a book about the art of building, but its really much more than that. It’s about the appreciation of life and how life shows up in the spaces we navigate and create. One of the concepts the authors talk about is how a given space is defined by its center and how there are actually different centers in a given space that all play off of and define each other.

What this discussion of Center has made me aware of is how in touch I am with my awareness of what my center is, physically, spiritually, and mentally. At the same time, I’m aware that even my perception of the center is governed by how that word is defined. Alexander makes the point that any space is made up of multiple centers. There is no one center so much as many centers and they all combine to shape the experience of a space.

How I calculate probabilities in order to manifest them

Picture copyright Taylor Ellwood 2020

Picture copyright Taylor Ellwood 2020

I was recently asked if I have a method of calculating a probability and how likely it is to manifest as a reality. The person wanted to know if I use a divination method or anything else along those lines in order to calculate the probability. As it turns out I have a way that I calculate probabilities in order to determine if I’m going to manifest them. I should also be clear and mention that I’m not interested in predicting world events or things along those lines. My calculation efforts are entirely focused around achieving results.

This recent blog post speaks to my stance on divination and how I use divination to manifest results, but the calculation aspect of divination is found in the presentation and manipulation of information. Any divination technique presents information within specific contexts, and usually the context most focused on is the information itself. But a look at the design aspects of divination can also be useful because of how that design can be used to calculate and manipulate a probability.

For instance, with tarot cards, the design aspect shows up in 3 distinct ways: the art, the spread, and the positioning of the cards. The art, obviously, is the medium by which information is primarily expressed and presented. But for purposes of calculating a probability, I like to look at the spread and the positioning of the cards. I don’t use fixed spreads with my readings, because I find them to be limiting, in no small part because the design of a given spread is used to portray the information of the reading in the context of the spread, even if that context isn’t always applicable to the reading. the same applies to the positioning of the card. I have no real investment in whether a card is reversed or not, unless it’s useful to use that positioning as a way of opening and closing aspects of the reading.

So how I do use the spread and position design to calculate probability?

When I create my own spreads, I create them for each situation and I use the spread to help calculate the probability, because where a card is placed can signify its influence on the possibility, but also the route of least resistance and its that route I’m particularly interested in. If I want to manifest a result, I want to use the path of least resistance, because the less resistance there is, the easier to manifest the possibility. But the calculation of that route is also the creation of it, because the spread isn’t just used to determine the best possible path…it’s also used to create it.

Likewise my use of positioning is really about using the position to determine what information/influences I want to either amplify or minimize. The position of a card either indicates that other cards and what they represent should be applied fully to the path of least resistance or that the information/influence should be contained and mitigated or redirected differently.

I calculate a probability on the basis of what effort and actions will be needed to manifest the probability into a result, and how that effort and action must be aligned with available influences and resources that can pave the way for realization of the result, i.e. the path of least resistance. By using my divination tool to create a path of least resistance and align or redirect relevant information, I’m able to determine how likely a probability could become a result, while also creating an avenue of manifestation that starts the process for turning the probability into reality.

The use of design in this process plays an important role because it contextualizes the information and focuses it toward the specific outcome. This is also true outside of divination. The design of any process of magic has implications about how that process will work and what it will do to help you achieve a result. Studying the design aspects can help you optimize your magical workings, because you aren’t just focused on the information or actions, but also the context in which everything is happening. Using design to turn that context into something that works for you can make your magical work that much more effective.

Perception, filters, and how to divine

In the magical experiments facebook group, one of the members observed that they get better results with divination when they provide themselves a map/model that allows them to filter their perception. The benefit of doing this filtration is that it allows the person to focus in on the information that is relevant, while excluding information that might be a distraction. The question that arises is: Is this the best possible way to get the most out of one’s perception of information, using divination?

It’s an interesting question to ask, especially when considering the medium through which you’re getting the information. Any divination system is already providing a filtering of sorts, because of the limitations that come with that system. If you use a pendulum, you only have so many directions that it can move and only so much information it can provide. With more advanced systems such as runes or tarot cards, more information is available, but there are still limitations because of what is presented, as well as what isn’t presented. And of course there’s another limitation often ignored, but very relevant to this question.

The power of the imagination in magic

I’m currently re-reading The Way We Think, which explores conceptual blending and how we are able visualize and do other amazing things with our mind that are much harder to replicate with computers. The reason is that a while a computer can do rational analysis, what it can’t easily do is imagine. The power of the imagination allows us to experience the world from a multitude of perspectives and find novel solutions to problems that fall outside of rational analysis.

An example of how Retroactive Magic works

I thought I would share a practical example of how retroactive magic works. This example pertains to the recent move I made at the end of 2018. In 2018 my family and I lived in a duplex. I had lived there for a decade and most of the time it was a pleasant living experience, but we had new neighbors move in in 2018 and they were the kind of neighbors who were loud and unpleasant to be around, and seemed to lack any awareness of how their actions were impacting our sleep or overall quality of life.

The question I had to consider was what could be done. On the one hand, I liked living in the place and had a lot of good memories. On the other hand, my land lord was powerless to do anything, even when issues were pointed out that demonstrated that the neighbors weren’t honoring the agreement of their lease. The laws around evictions favor the tenants even in cases where its clear the tenants are not honoring the agreement that’s been made. When it became clear the neighbors weren’t going to be evicted I began to consider what else I could about this situation.

Can you physically change the past?

Recently I was asked if you could physically change the past with space/time magic. The person specifically brought up a technique I mentioned in Space/Time Magic, where you can influence your past self via a meditation technique in order to guide and influence that past self.

Throughout my life I’ve had moments where I’ve encountered a future version of myself that gave me advice or pushed me in a specific direction or warned me away from a direction I might have gone down. I know when I’ve followed that advice/push or pull in a specific direction its generally worked out in my favor, but it does create an intriguing question.

Was I interacting with my future self or with a version of my future self, or what?

Sometimes you just have to let go

Recently I binge watched the last season of 12 Monkeys and as a result I had this dream of a time paradox I was trying to solve and every time I thought I solved it, it would change and I would try to solve it again. Finally I came to a point where I realized it couldn't be solved and that the only solution was to let go. Yet it was such a hard decision, because letting go went counter to everything telling me I could solve this time paradox. But the longer I kept trying to solve something the harder it was.

So eventually I let go. I stopped trying to solve the time paradox, the problem, and just moved on. And when I did that, the dream ended. The stress went away. The problem was solved.