My work with Bune

I recently decided to work with the Goetic Demon Bune, who amongst other things, provides riches to a person. As you can probably guess my focus was on doing a wealth magic working with him. However riches is a very ambiguous term so I knew I needed to decide how I wanted to work with Bune and how that kind of working would relate to wealth magic. Just wanting him to get me money or wealth wasn't realistic because it'd leave plenty of loopholes. Instead I looked at the circumstances already available to me. In this case I run a business and have another business I'm about to start. I provide services to clients and I'm developing product lines. I realized that what I wanted was to work with an entity that would help me become more aware of business opportunities and ping my intuition to notify me of potential clients and business opportunities. I consulted Bune to see if he could provide me these services and he agreed that he could. In return he wanted a dedication at a meal and for a book on wealth magic, a painting, and a blog post about my work with him. These seemed like reasonable requests for me to fulfill, so I agreed to them.

I've since created a painting to Bune and hung it in my business office. I'm writing this blog post, and I'll likely write others to provide updates on the efficacy of the working and I did a dedication to him at a meal in his honor. By doing all these activities I am showing him my willingness to develop a partnership and relationship. That's my preference in working with entities in general. It's better to establish a relationship of mutual benefit instead of trying to command or control something.

I did this working last week, but I've already seen a couple opportunities arise. I'm excited to see what will happen. By taking the time to define the role and activities I wanted Bune to perform in, I've also created the path of least resistance for him to do what he does, while also providing a path for how it can occur.

Why the body is a pathway to the divine

I came across this article where a Baptist preacher has argued that doing Yoga goes against the Christian faith because it teaches that a person can experience the divine through the body. This isn't surprising because so much of Christianity is about damning the body as a portal to sin instead of celebrating it as a gift of manifestation. My own philosophy and spiritual beliefs about the body run counter to the Baptist preacher's perspective. To me the body is a gateway to the mysteries of the universe, and a way of accessing the divine. Yoga and other physical exercises are part of the key to accessing the spiritual realities the body can reveal to us, though they are not the only part of the key. Learning to commune with the body and the different levels of consciousness it provides us access to can also reveal a lot about not just the body, but our connection to the world and universe.

When we deny one level of existence or favor one over the other we create imbalance. The body is not something that should be denied, but rather is a part of us we need to embrace as part of our given approach to spiritual living. By making peace with the body we also make peace with our desires and pains, and from that begin to experience the divine within ourselves.

Context and its place in magical activities

In a conversation I had the other night with one of my students, we discussed the value of establishing the context in which a magical act will occur, as well as how to establish that context. I find that without proper context, magic ends up being meaningless or reactionary, and consequently isn't as effective as it would be if the person took time to establish context properly. Proper context establishes why a person needs to utilize magic, as well as how it'll be utilized. One of the activities I have my students when they first start learning magic involves putting together a diagram or flowchart for something they want to do magic for. I have them map out what they are already doing on the mundane level to achieve their goal and then we look at where magic fits into that process, and how they will use magic to help them enhance what they are already doing. The value of having a person diagram their process is that it shows the person that magic never occurs in a vacuum, but instead always has a context it occurs in, and part of that context is framed in the activities the person is already doing to realize the possibility they are trying to bring into reality.

Of course context isn't just your mundane activities, but also your goals, the other people affected by the working and other environmental factors which need to be thought about, if we are to use magic strategically. Strategic use of magic allows for the different factors and environmental conditions and enables you to successfully enchant because you've accounted for them and prepped the conditions accordingly.

So, as an exercise map out what you want to accomplish and include what you are already doing, and then add magic as a supplementary activity that enhances what you are already doing. Your success rate will more than likely go up because you'll have considered all the factors involved.

Quality and magic

If we consider that quality is a tool of measurement and apply that to magical work, then the question arises as to how the quality of life is improved by magic. This video discusses that question:

Why I like to learn different subjects

I'm reading The Survival Guide: Home Remodeling by Diane Plesset (Amazon affiliate link). It has nothing remotely to do with magic, in terms of spells and rituals or correspondence charts. But it is an interesting book about home remodeling and how to work with interior designers. And most importantly its teaching me to be keep an open perspective and learn about the world from other angles other than what I'm comfortable with. That's one reason I like to learn different subjects outside of my fields of expertise. The chance to learn something new, consider a different perspective, and even adapt some of that to one's magical practice can be very useful...and in this case reading this book reinforces how important it is to pay attention to the details, ask the right questions and do the necessary groundwork in order to turn your imagination into reality.

So often with magic books the discussion focuses on the metaphysical, but doesn't necessarily emphasize awareness of the mundane details and how much they can make or break the success of a magical work. To me, paying attention to the details involves paying attention to the mundane details as well as the magical details. So you learn about those mundane details and apply them as well as doing the magic. This process makes it easier for magical work to manifest into measurable results, and at the same time teaches the value of doing the work on all levels. The benefit of doing the work on all levels is that not only do you improve as a person, but you also improve as a magician, because you can see all levels as opposed to just focusing on one and trying to put all your effort into that one level. Success of any sort is best achieved by working all the angles instead of just one.

The balance between tradition and experimentation

I've always been a big believer in experimentation when it comes to magic, but I've also always believed that you need to have a solid foundation in order to experiment. The person who experiments without a firm understanding of magical principles won't get very far, and I don't know even know if you could call the magical work experimental, if there isn't a firm foundation in work. The magician is someone who has made the effort to learn how other people have practiced magic, and incorporated those practices into his/her life, but has also decided that just relying on tradition alone isn't enough. S/he recognizes the value of experimentation and innovation as a way of advancing one's understanding of the world, and also one's spiritual practice and how it applies to the world.

In my own spiritual practices, I've always tried to find a balance between experimentation and tradition. While I definitely think experimentation is important, experimentation without foundation won't get you very far. This is why it's important to do the research, to learn the skills, and then look at how you can improve on them, or what new directions you can take them in.

I don't believe in mindlessly adhering to tradition for the sake of tradition. Such dogmatism leads to fanaticism, and also ends up causing a spiritual tradition to stagnate. This doesn't mean practices should be disregarded or tossed aside, but if a person never tries to innovate or experiment at some point s/he will stagnate. I see this occur a lot with people who try to emulate the life of someone else or only do magic the way the book tells you to.

The magician is someone who tests the magical practices s/he performs and looks for ways to improve on his/her practice. It's not about cutting corners, but about being methodical and revising your process in favor of improving on it.

Learn from tradition and what others did. Build a firm foundation, and then...challenge it, experiment and evolve. This is my approach to magic. It's not the stumbling of the fool, but rather the measured pace of the magician who recognizes that magic isn't about repeating what others have done, but learning what others have done and improving on it. But remember the fool has intuition and sometimes will find something the magician wouldn't...so take a risk sometimes and try something different...the experience will definitely teach you.

Endorphin

Endorphin is a guy in a jogging suit. The symbol he gave me is a fleshknot that has a tripod base, with each part of the tripod rising to twist around the other two parts. He causes pleasure, notable in runner high, but also in meditation and experiencing something new, but he also opens doors of possibility. At the same time endorphin warns about being overused because it can cause addiction. The sensation of endorphin is a tingling feeling...and also a feeling of flow. Book Review: Taoist Yoga by Charles Luk

I found this book to be an insightful read into Taoist internal alchemy, however I'd also say that anyone reading it needs to have at least a couple years experience to even begin to get the concepts discussed. What I found was that the book provided greater clarity about some of the different exercises I'd already done, but I also realized that if I didn't already have experience with those exercises, I probably wouldn't get what the author was discussing. It's a useful book to have for an intermediate to advanced Taoist meditation practitioner. 5 out 5

Amazon link

Powells link

Some musings on retroactive time

I had some thoughts the other night, after I'd been playing Assassin's Creed 2 about retroactive time and what would happen if you didn't live the life of your ancestor the way s/he had lived it. The video below is some of my discussion about retroactive time and ancestor memory.

Dopamine and Norepinephrine

Dopamine: Appears as an old man/trickster figure. Dopamine causes pleasure, most notably in sex when a person orgasms. When I worked with him this time, as with when I first worked with him, he reminded me to use dopamine carefully...that it's not something to be abused. This makes senses to me, especially if you consider the possibility of addiction to the pleasure. Norepinephrine: Appears as a kabuki Actor. Norepinephrine causes numbness, so its basically a natural painkiller for the body. There's some definite applications when used in combination with other neurotransmitters.

Limitless freedom: are you really free?

I've been thinking about the concept of enlightenment, in terms of attaining a state of non-attachment to everything as well as what the result might look like and I think it might be something like experiencing limitless freedom.You become everything and nothing, but because there are no limitations you can never turn that possibility into something real. In fact, you the person don't even exist. A rather tenuous existence, and while a person might be one with everything and nothing, what in the end does that really mean, and what does it really do for the person. I'll admit I'm attached to my identity.

Need and desire can be spiritual

"When we think the solution to our unhappiness can be found in the external world, our desires can only be temporarily sated. Not understanding this, we are tossed this way and that by the winds of desire, ever restless and dissatisfied. We are governed by our karma and continually plant the seeds of future karmic harvest. Not only does this mode of action distract us from the spiritual path, but it also prevents us from finding satisfaction in our daily life" -- Tenzin Wangyal Rinpoche I was thinking about what's written above the other day as I was walking around the Hawthorne district in Portland. I'd just come out of Powells (a bookstore) and I realized that while I'd enjoyed going into the store and looking at the books, I'd also felt a sense of dissatisfaction, a recognition that nothing I could purchase would be anything more than a distraction, an illusion. I might temporarily fulfill a desire and enjoy doing so, but I would still have to come face to face with the underlying reality that whatever I got was only a temporary distraction from that desire, and it would come back to remind me that it needed something more.

Since then I've also been thinking how much desire and attachment actually anchor a person into living life, providing the drive that people have to live, and I consequently wonder how much the valuing of the spirit over the material world is just another desire, another sign of dissatisfaction expressed in trying to find some spiritual answer that will take away any sense of need a person has.

Seems to me that need and desire are spiritual in and of themselves. Without the need or desire for something, would we strive so much for our goals, our projects, our ideals, etc.? When we determine that something is not spiritual, aren't we just creating the dualistic divisions that cause Karma? I find the subtle hierarchical beliefs about the spirit vs the material to be the most dangerous because in trying to divide everything up we also end up labeling it and using that labeling to create the dualistic tension described as karma.

If satisfaction is to be found, it must be found in our ability to make peace with our desires by accepting them as gateways to spiritual experiences that also allow us to perceive the material world as the manifestation of the spiritual. Instead of dividing, why not just experience it all?

Dream Technique part 2

I'd mentioned a little while back that I'd begun experimenting with using physical sensations as a means to create a dream reality where I could do internal work. I've found since that original post that what seems to work best for me, if I want to do a night of internal work is a kinisthetic sensation. I've tried visualization, but visualization seems to work better as a secondary sensory tool used to create an environment around the kinisthetic sensation. I'm not sure that this "rule" would apply to everyone. It may only apply to me because I'm a kinisthetic learner first, and a visual learner second, and an audio learner last. For a visual learner, using some kind of visual stimuli may work better for creating an initial dream environment in which the internal work will be done. Likewise an audio learner may find that an audio signal is best.

I've found that using kinisthetic sensations has helped me create dream environments I can work with so that I'm doing some form of internal work while sleeping. It seems to be most helpful if I use a sensation I felt during the day before I do the dream work. Trying to draw on older memories of sensations is less helpful, especially as those memories get replaced by newer experiences. It does help if the sensation is unusual. I've found that focusing on sensations that my feet feel is particularly useful, partially because of how sensitive feet are and partially because I don't normally go out of my way to pay attention to what my feet feel. I now have that incentive, in order to create a dream environment I can work in, but it can also work with any other sensitive area of your body.

Dimethyltryptamine

This neurotransmitter has always appeared to me as a Young boy with a crystalline spear. The point of the spear goes into many different dimensions. When I worked with this neurotransmitter this time, it focused on showing me how it could be applied as a diagnostic tool by providing different perceptions of how the body felt or appeared to a person. It also did something else for me however, making me aware of certain feelings I had about my creative career and hadn't recognized, so it seems that it's a diagnostic tool that works not just with the body, but also with other dimensions of a person's life.

Melatonin and Tryptophan

Melatonin always appears as a dark skinned woman. she's the polar opposite of serotonin, but also  does similar activities in terms of balancing the neurochemistry of the body as well as a person's emotional moods. She's also helpful in cases of insomnia. She and serotonin can be worked with simultaneously in order to help with situations such as insomnia, where there might be too much serotonin and not enough melatonin or in cases of waking up, where serotonin can be upped while melatonin is decreased.

Tryptophan appears to me as a pregnant sleeping Empress. She aids in Digestion and is consequently a force for change in neurochemistry. People may wish to work with her to get help with digestion issues or sleep issues.

Book Review: The Sorcerer's Secrets by Jason Miller

In this book, the author presents practical ideas and strategies for people who are just starting out in their magical practice. This isn't a 101 book, but its safe to say it's a 102 book that also offers some insights to magicians with more experience. What I appreciate the most is that the author takes the time to focus on considerations such as finances and explains that while magic can help, it's also important to learn practical mundane skills.

I also appreciate the author's choice to draw on a wide variety of sources that fall outside the traditional bibliography usually found in books. The author illustrates the importance of developing a well-rounded strategy by exposing readers to alternative sources.

There are two reasons this book gets a four instead of a five, however. One reason is because the author doesn't address the value of doing internal work as a practical and strategic solution. while knowing how to do practical magic to solve a problem is important, being able to identify your participation in the problem and making changes is even more important, and more practical. The other reason is that while the author does draw on non-traditional sources, he doesn't address the topic of innovation and how it can be used to develop practical magic.

All that said, this is an excellent book to read, and one I'd recommend to someone just starting out.

Amazon link

Powells link

Dream technique

Yesterday I was at the Oregon coast and I walked barefoot in the sand. I retained a strong kinisthetic body memory of the sensation of walking in the sand, and on a whim, decided that when I went to sleep, I would use the sensation of walking on the beach to create a dream environment where I could do internal work. As I drifted to sleep, I allowed my body to recall in intimate detail the experience of walking on the sand. Using that sensation, I allowed myself to put together a dream environment of the beach I'd been walking on, with myself being the only person walking on it. Then as I walked in the dream, I began meditating on the particular issues I wanted to work through. Because I was using the physical sensation of walking in the sand as my baseline, it made it easier to build other physical sensations into the dream, such as touching my tongue to the palate of mouth, while doing Taoist breathing.

I remembered my dream in the morning and a fair amount of the details of the inner work I did. Doing this work helped me to feel more at peace about a couple issues I'm working through. It will certainly be useful to draw on this technique in further depth.

Serotonin Report

For me, Serotonin is a 6 eyed red snake. When I experience Serotonin in my body, it feels like a fuzzy, warm light has encased my body. Serotonin is balance, the balance of the light with the dark, as well as the balance of the neurochemistry of the brain and the balance of the moods a person has. Serotonin teaches the magician how to balance the other neurotransmitters correctly, when doing inner alchemical work with the body.

What is practical magic?

I've been thinking about what practical magic since I've started reading a book about strategic sorcery. When I think about practical magic and what it is, I don't just think of magic used to solve a problem or crisis in the mundane world, but also as the magician taking a step further and examining what his/her participation was in the problem, and then making changes in his/her life past managing the problem that the magic solved. The video says the rest.

Some further thoughts on embodiment work

When I first learned about the paratheatre technique, one problem I had with it was that I felt there was something missing from the explanation of the embodied space. Well more than something...a number of things actually. First what was missing was a concrete explanation of how we move through space. It seems to me that most people take movement for granted and consequently move in a very unconscious manner. I've observed as well that people, in American culture move in a very linear line like manner, 2D movement really. We aren't taught to recognize how our bodies could move. I had to turn to Laban's work on movement to find a comprehensive manual that explored movement and showed possible ways to move that I hadn't considered before. Learning this kind of movement has proven useful for fully doing internal work with my body as an active component of that internal work (i.e. dance and performance art movements).

Second what was missing was understanding space from a social perspective. In general when the word space is brought up it usually makes one think of the darkness of space. But anthropologist Edward T. Hall explored the concept of social spaces and how people interact in them with each other and with objects in the room. As a result of reading his work I came to really understand how much we even embody objects with personification as a way of filling up space. The way a given culture sets up a physical space is indicative of how that culture processes space from an emotional/intellectual perspective, and also how people define themselves within given spaces.

With these two considerations of space in hand, it's been much easier to integrate paratheatre to my meditation work, because I now can consider how I move and how that movement expresses and changes an embodied space I've created, while also recognizing the cultural influences that shape my understanding of that space. Finally, and perhaps most important, I can be much more aware of how my body feels when I move, how it expresses the concept I'm working with through movement, and how that concept is or isn't expressed in my environment everyday.

Doing this work is creating some interesting realizations. I like where its taking me, as well as what I can learn about my body and the relationship I have with it and the environment around me, and how my body expresses the subconscious with its movement and interaction with space.

The need for innovation in magic

When we adhere to other people's rules and definitions of magic without questioning them or testing them, we become dogmatic and lose out on innovation. For magic to be an effective practice, we need to question all definitions and practices, with an eye toward improving our magical practice and also toward improving magic as a whole.

Embodiment magic

A while back I'd written about some of my experiences with Laban, a form of physical movement. My main purpose for studying Laban was to learn more about the spatial realities of the body as well as how it moves through space, something I considered essential for really getting the methodology of paratheatre, which Antero Alli writes about quite a bit. Since I don't have access to Mr. Alli's classes on paratheatre, utilizing Laban, which admittedly provides a much better explanation of physical movement through space, proved essential for being able to integrate paratheatre into my magical practice. Recently I decided to try out my first paratheatre ritual. I've recently been doing some internal work around intimacy and my issues with being intimate and also being in relationships (friendship or otherwise) where there wasn't much intimacy. I thought it might be useful to embody intimacy or at least try to, using paratheatre. I felt that integrating my body fully into the embodiment was essential for really communicating with my subconscious about intimacy and the issues surrounding it.

I felt very vulnerable when I invoked intimacy into my state of no-form and began to move. In a sense I felt like a child, innocent and unsure of myself, experiencing something for myself that I wasn't really certain of. Intimacy for me involved opening up and so I initially started out very shielded in how I positioned my arms and legs and gradually I began to loosen them and from that loosened my body up further, gradually allowing myself to feel a state of what I would consider to be gentle warmth. Sometimes I would hug myself or gently touch my shoulder or leg. I wasn't striving to be sensual, and I didn't feel that way. But I did feel intimate with myself in a manner that invited myself to be gentle and loving.

As I experienced this feeling of intimacy I paid attention to thoughts, feelings, and whatever else came to my experience that would help me communicate with my issues around intimacy. I learned quite a bit about how I sometimes make it hard to accept what someone wants to give, but also how much I've picked relationships with people (friends and lovers) that didn't necessarily invite intimacy into my life.

When I was ready, I put myself back into no-form and grounded the sensation and feeling of intimacy...but after the working I also felt more comfortable when my partner offered it to me, and also was more aware of what has informed my tendency to fantasize about intimacy. I'll definitely be using paratheatre in the future for some of my internal work, and I have to say that learning about Laban really did help with integrating paratheatre into my magical practice.