identity

A wealth magic article, a book review, and body paint

An article on wealth and magic on Reality Sandwich I've already gotten some interesting comments on it. I hope that it gets people to think about what wealth is to them and how they manifest it. I also think there's more to explore there...I may do so in a follow up article down the line.

Review of Meta Magick: The Book of ATEM by Phil Farber

Meta-Magick is an intriguing book which presents readers with an opportunity to create not one entity, but actually a number of entities based off of principles such as attention, passion, trance, language, making, and Fitting. Additionally Farber provides 36 exercises which can be used by people to learn how to integrate these principles into their lives.

Farber also focuses on eight powers: Communication, neuroplasticity, transformation, transmission, beauty, understanding, balance, and opening. The book doesn't overtly focus on these powers much...instead the focus is more subtle. You will experience them through doing the exercises in the book, which is what the author intended.

Meta-magick definitely is not intended to be something intellectually read, so much as it is intended to be experienced and worked with. You will get a lot of leverage out of this book if you do the exercises in them. It's an excellent book to introduce people to magic, but is also good for intermediate to advanced practitioners.

5 out of 5

I did some work with body paints tonight. I find body paints to be intimate as well as beautiful. I use body paints a fair amount in my magic as a way of connecting with spirits, but also connecting with my body and its consciousness. I recommend the body paints which can be washed off with water and soap...you can find them at costume shops fairly easily.

A day of ritual work

Right now Portland is experiencing an unexpected snow storm, which has pretty much shut down the ability to travel in the city. I'm not one to spend my time idly, however. So I decided to do some ritual workings today and have another I'll be joining astrally later tonight for the solstice. I first decided to the second invocation of Atem from Meta-Magick: The Book of Atem by Phil Farber. In the second invocation you create a magical circle in which you anchor specific attributes of attention, passion, fitting, trance, language, and making into the formation of the circle. These attributes are used to form the entity of ATEM. By anchoring the attributes into a physical space, the magician not only creates ATEM, but also utilizes a physical space for Atem and the associated entities of the attributes to reside in. It's a clever approach. I like how it ultimately utilizes the physical environment of the person to create a space where ATEM resides, strengthening the connection it has with the person working with it.

I also did another space/time Tarot invocation of my future self, as well as the evocation of Thiede, Purson, the spider goddess of time, and Xah. I've thought about the role those entities have in this type of working. Thiede is my Space/Time guardian spirit, Purson is finder of potential, and the spider goddess is the weaver of those possibilities into reality. Xah, as my personal Daemon, is both the future self I invoke and also the fox spirit that walks alongside me whenever I walk the silver strands of the web of time. With this working I did my invocation and evocations and then invoked Xah, entering into a trance wherein I could interface with all of the entities while letting my future self shuffle the cards of the second deck. It felt odd to shuffle the cards and yet be in a trance...the movement was much less directed, so the shufflking continued for a while...It actually helped increase the trance. The working itself showed me the steps I needed to take...a lot of it being confirmation of some situations in my life...so I think for the meantime, I'll likely hold back on doing further space/time tarot work until those situations are fully taken care of.

Tonight, I'm going to take a ritual bath and use music, chanting, and trance work to synch in with the solstice working...and enjoy relaxing in the comfort of my home while doing it.

My Magical Room

I just moved into a larger place. And one of the perks of said larger place is that I have my own room now. I like having my own space, always have and so knowing I was moving into a new place, where I could have my own room, I immediately began planning for how I could manifest that room, where I would want to put things etc. I want to eventually manifest a futon for it, as a meditation mat and also for other purposes that may occasionally arise. But even without that I have my temple. I finished putting it together tonight. Tomorrow I'll do my first working in it, to set the tone of the room for every other working that occurs there.

I did take some pictures, partially because one of my dearest friends had requested it, but also because it's novel to me that I can show people my space, and have it be my own space.

Book case altar

The book case altar. All of the books on it are ones I'm planning to read in the near future, or they contain exercises and experiments I want to do. Most of these books are related to current projects I'm working on.

My Altar

My altar. Yes it's a table with a chess set enlayed in it. In front of it is my dagger consecrated to Babalon and a candle as well. I've also got some space/time magic tools. The stone eggs are also tools...some of the oldest ones I've had.

My musical area

My musical area. I've got a sound machine, some bells, and cds of William S Burroughs spoken word. Burroughs is one of my spiritual saints and also one of the magicians I've always respected.

My Art Area

This is where I keep my art supplies. I consider my art to be a potent expression of my magic. I have body paints and water color paints, glue, and I need to find my pair of scissors for the collages. I have a couple of paintings, gift from friends and admirers there as well. The mirror is also there, because I consider it a doorway to art.

The north

The north wall. I've got my painting to Babalon, Thiede, Purson, and also a scroll featuring Guan Yu on the wall. All of these are dieties/entities I work with.

The West

The west contains a painting on the ceiling I use for journeying, my painting dedicated to love, a mask, and several other paintings, which I'm not going to speak of beyond saying they have personal meaning to me.

The South

The South. The red mask is one I've had for a while. The painting on the left is to Xah my Genius Daemon spirit. The one on the right is personal.

The East

The East Wall. The painting on the left contains a symbol chart for the Dehara system. The painting on the right is the phoenix. I identifiy strongly with the life-death-Rebirth cycle. Actually the tapestry in them iddle is part of that too (and would you believe I've had it for over ten years). The elephant is Ganesh. Even has a broken tusk.

So that's my magical room. Of course it won't be really magical until I do my first working in it, but I've set the atmosphere up. Lupa told me it feels comfortable in there, which is as it should be. I like a space, which is comfortable, and I generally do a fair amount of work with the energy of a room to create that sense of comfort as well.

The Emptiness Working Month 2: Obsession

I was watching the movie Aviator recently. It's a bio film about Howard Hughes. Watching that film is always fascinating to me, because it displays the life of someone who was clearly innovative and inventive and yet also suffered from a mental affliction, OCD. His attention to detail in his inventiveness was another sign of that OCD. I thankfully don't have OCD myself, but I've always found the balance between genius and madness to be fascinating to both watch and to experience in my own work. My own inventiveness has primarily occurred in the context of magic, both in its theory and its practice and knowing beyond doubt what could be possible. My interest in other disciplines has also contributed to that inventiveness. And yet in doing a lot of the magical work that I've pursued there has definitely been an element of risk involved in terms of how far I'm willing to push myself to achieve my goals.

In the movie, Hughes is portrayed as a very driven and passionate person when it comes to his pursuits. I can appreciate that drive, even as I acknowledge that it is a two-edged sword and indeed you see that Hughes, because that drive certainly tests his sanity. My wife tells me that I drive myself too hard, and has asked me where it comes from. When I watched Aviator, I thought about that. I can't speak to any motivation that Hughes felt, but my own motivation is rooted to some degree in my emptiness, and it always has been.

I've always had a fascination with people who were geniuses and also dealt with madness. Some of that fascination is rooted in my own struggle with an electrochemical predisposition toward depression and finding a way to cure that depression instead of letting it rule me...Some of it seeing those people struggle with something within themselves and yet still be able triumph in some form or another despite it.

When I was young, I grew up in a situation where no matter what I accomplished, it was never enough for the people in my life. I eventually realized that any accomplishments I did make in my life had to be for myself, and consequently I pushed myself much harder than anyone else might have. I think, in part, that is why the ph.d didn't work out. I was research, experimenting and writing books while also pursuing graduate work full time. My pushing myself has often been a response to my emptiness to try and fill it up. My's observations about that has lately had me considering the value of not pushing myself so hard, especially when I consider that those who push themselves so hard may make a lot of change, but also end up pushing themselves into places where they can't recover. I, for a time, danced with madness while in grad school, resulting in several mental breakdowns as well as becoming a recluse...it's not a fun place to be. The emptiness might motivate my drive and indeed I still want to be driven, but moderating it some may be just as important, in order to live a life where I am happy as well as driven. Some of this emptiness working is focused on finding that balance.

*********

I've lately been dealing with the root of my feelings about abandonment and neglect. Since these feelings are related to my sense of emptiness it makes a lot of sense to me to deal with them. The root of it all is in my childhood, in the experience of not really having a strong set of parents or friends to turn to. I mostly was either neglected or when I did get attention it wasn't favorable. I talked about it in therapy on the 21st of November, and it was surprising for me to acknowledge just how hurt I still feel so many years later. And this really is where my fear of bring shunted aside for someone else comes from, because so often I saw my half-sister given much more positive attention and interest than I received. She could get away with anything, while I was more often than not scapegoated anything she did. Then too there were all the times I was told to go outside, because I wasn't wanted in the house. If I was outside that was good, that was wanted. I never felt wanted.

Recognizing these feelings as the root of my emptiness is good for me. Yes, it's painful, yes it hurts, and yet it is a healing hurt. It is choosing to feel that pain instead of just analyzing it . It is hopefully letting it go so I can move on with my life in better directions than where I was previously.

An interesting realization I had. I am a very territorial person with certain people because I think of them as mine, as part of my pack, as people who belong to me. I can think of a few people this applies to in my life, close friends and lovers, and yes my immediate family as well in an odd way. I say that last because while I do love my family, I also recognize that there are certain things I can never fully share with them that I could share with the others by virtue of choices made by those others...but my immediate family is part of my pack as well.

With my friends and lovers that dimension of territoriality extends in subtle ways. I am possessive of them, but also protective of them. They are mine because I love them in such a deep way, yet really I can't fully possess...I can only possess my feelings for them; those same feelings cause me to feel vulnerable with those people. They touch me so deeply, and so they touch my emptiness and in touching that simultaneously show me a feeling of love and warmth and also remind me of that emptiness. As I learned this last year, love is a terrible force...this added layer of recent realization shows me how incredibly vulnerable I am in my choice to genuinely love someone.

Emptiness is finding something or someone who speaks you to on a very deep level, touching those places where you feel empty and bringing something to those places, while also emphasizing that same emptiness in a subtle way. Or it is finding someone who speaks so deeply to values that you have and realizing profound joy and gratitude in finding this person while also working on accepting that how often you physically share space with this person could be very limited? Emptiness contains fullness even as it embodies emptiness.

I meditated tonight (Nov 25) on my territoriality and my tendency to give up if I feel I/that territory isn't valued. It was a meditation on emptiness as well. My tendency to give up is that emptiness, the painful resounding feeling of being rejected again in some form or manner and so withdrawing myself away from that rejection. If s/he/it doesn't want me, then why should I continue to show effort? I want to be wanted, as much as I as also want to show my own desire for someone. I recently noted how I never really felt I'd had anyone fall in love with me, anyone show a level of desire FOR me that hadn't already been shown significantly in advance by myself for that person. I can think of one exception, but given how that turned out...Ironically this is the way of all relationships...one person shows more interest initially than the other does. Rationally I know this. Emotionally, I am still that child with the sunken eyes who watched as others were more valued than he was. This feeling of having to give more in order to receive; it seems like generosity, but it masks one of my deepest wounds: That I am somehow not worthy enough of the love, friendship, etc. that I want. And it's only now that I can consciously admit I feel this wound in me, this wound which is part of the emptiness in my life. I am that wounded child that cries to the moon for solace in the night. I see that wounded child in my eyes. His fear is so tangible. He is so tired, and yet he has no trust of anyone. I think one of my favorite musician's John Terlazzo sums this child up:

I am the loss antagonized child who finds no vision in the street. There are no shelters, no places of refuge. there's no protection. There is no Priest. So I yell at the moon, "I won't be this child!" and I yell at the sky, "I give up this child tonight!"

But I can't give that child up. I must enfold in my arms, give him sanctuary, warmth, love, and an opportunity to heal. So my arms are open. I enfold him in my torn white robes and I tell him to tell me how he feels and I listen...I listen so that I can heal his wounds and mine and find succor and peace with my emptiness instead of continuing to try and give it up.

We had Thanksgiving...Even after eating so much, I feel so empty. I feel the emperor stir and put his hand on my shoulder and he whispers to me about feeling unloved. I spent a year on this emotion love, and what it revealed is the great emptiness within. In some ways this elemental working is an extension of last year's love working, which is quite natural given that this emptiness was born out of the feeling of not having love when I was so young. I feel incredibly needy sometimes for attention and I realize it is something I've felt most of my life...A child's desire to be loved and accepted unconditionally, and even now that child is within me. There's a theme of a child in this month's working...that's another direction to go in.

Nov 28th: A discussion with my therapist and some thinking about my interactions with my mom helped me realize some fundamental issues in regards to my emptiness as well as some of what I mentioned above. I realized I'm angry at her because of feeling micro-managed and smothered and controlled, but also angry because I got her bad habits. I got the micromanagement (to a degree), the money paranoid issues, etc. And I'm like, "Dammit, how'd I get those from you when I didn't come to live with you until I was 15"

Just goes to show that a person is susceptible to emotion/thought viruses at any age. It was actually really good for me to realize I felt anger toward this person, but also compassion and a desire to mediate my anger in a way that could actually help us heal our wounds as opposed to prolonging them through senseless fighting. Recognizing behaviors I didn't like from her, that I sometimes do has actually given me some food for thought on how to change those behaviors in myself, as well as recognizing how others might feel when I do act on those behaviors. I feel empowered...I also actually feel pleased with myself, because one of those behaviors, advice giving without asking is one I've cut down on a lot, because of the life coaching training I received. I can still improve, but I realize just how much I have changed and it feels really good to say, yes I can change! It's a little triumph and yet one that shows me I'm on the right track with this emptiness working.

Dec 5th. Every time I meditate on emptiness I feel irritable afterwards. The wounds have been picked I suppose. Emptiness is an ugly feeling tonight. Part of me wants to take up the knife and carve myself open, creating a display of art and magic with the bloody trails I leave on my skin. Naturally some of this is brought on by the digging I'm doing into this feeling of emptiness.

For instance, realizing that the reason I observe people so closely has much less to do with interest and alot more to do with survival. When you grow up in a situation where the people around you are unpredictable in their actions and treatment of you, you try and find patterns and predictions so that you can, as best possible, avoid the worse consequences. There is some part of me that feels so angry with certain people in my life for realizing just how deeply they affected me. I watch everyone I know closely, waiting for what I would consider the inevitable betrayal. Hardly a way I want to live life, but realizing just how subtle that particular behavior is, and how much it's informed how I deal with people.

And dealing as well with the awkwardness of being direct, to a point which can sometimes work against me, because even in a culture where supposedly people are direct there's a lot more subtleties going on than what I care for dealing with. I'm not a subtle person, and I have no desire to be a subtle person, because of all the games that seem to go with such subtleties. I'd much rather just put it all out on the table. Problem with that is, when you deal with people who look for subtleties, they can't really believe that you are that direct. They look for the hidden dagger you are waiting to plant in them. How ironic that last sentence though, because one could interpret my watching of others so carefully as what I just described above. Good things to recognize, but recognizing them right now just makes me feel irritable with everyone and myself.

12-09 We are getting ready to move. I've been doing most of the packing and I feel uprooted, liminal, neither here nor there, nor anywhere. I feel alone. I know once we move and get settled in that I'll be fine, but moving is a strange activity.

On top of that my adventures in hopeless romance have continued from last month, leaving me still feeling unsatisfied and a little bitter. I confessed to my wife that I felt I'd been given emotional blueballs, earlier this month because of different situations with different people. Yet I have no one to blame really, other than myself. It is I who puts myself in these situations. It is I who chooses to foster some hope that this time said person will actually feel interest and want to reciprocate. It is also I who is too direct, perhaps, for my own good. And there's still just a bit of guilt from last year and some secret part of me which says, "Don't you deserve it after what you did?" That guilt still lingers. It's becoming less. I'm forgiving myself more, but there's still that part of me which is angry at myself. And so perhaps that part is both masochistic and sadistic and enjoys putting me into a situation where I twist in the wind of longing, wanting some connection that seems, at the moment, to be denied. And yet I can't help but think that this isn't just on me. In only one case was the person I was interested in able to be direct and upfront and explain that she couldn't reciprocate. That act of kindness (and it was kind of her) means so much to me...it helped me see a new level with her and appreciate her further because she didn't feel need to play a game and see how long I'd twist...

Looking at this from the perspective of emptiness, I ask myself: What will finding "love" with any of these people do for you? What need does it fulfill? What does it block? How much does this need cause you to limit yourself because you perceive these people in a particular way?" All very rational, good questions. Emotionally working toward the answer however is a bitch. However, I think working to that answer will pay off, both for myself and my relationship with myself, and for future relationships with other people.

Dec 11 In thinking about what I wrote above earlier, and actually feeling it as well, there seems to be a need to find some kind of acceptance, some place where it's always warm, filled up, perfect. A need to perfection, which is unrealistic, and yet there, because if you had a very imperfect childhood, like I did, you want to find the opposite the rest of your life. I've looked for it from other people, but I also need to look for it in myself. Last year's love working helped some with it...perhaps this year will do even more.

Dec 12 I figured out what the title is for this month: Obsession. Really commenting on Aviator should've told me that, but it was made fully aware to me today until I stopped over at the place of someone I like, because I hadn't heard from them in a while and pretty much made a fool of myself. Something she said really stood out to me: "It's great that you know what you want and that you're so in touch with it, but you don't know yet what I want and where what we have between us will go." And she's right...and I realized that I had, once again, let my emotions get the better of me. I let myself become obsessed with a particular desired reality, over being open to what could occur. A lust for a result, big no-no in magic, and here I am doing it. I can tell you why, but it doesn't excuse it...It does illuminate into the emptiness though.

I was thinking about it on the way back. If my emotions are gateways into emptiness, they are also gateways for emptiness to express itself and obsession, to me, is an expression of emptiness. If you've watched Smallville, you've probably noticed that as Lex becomes the "evil villain" that he becomes, he also grows more and more obsessed. That obsession is what leads him down the dark path he goes. He can't control his emotions or desires...they rule him. And I can sometimes be obsessive myself. Anyone can, but since this is about my magical journey, I'll focus on me. To me obsession is the loss of control to emotion...it's where emotion takes over. When I was young I didn't feel emotions. I repressed them. It wasn't until my late teens and twenties that I really began to feel emotions and then they overwhelmed me. Even to this day, as is obvious by what occurred, I still get overwhelmed by those emotions. I've learned how to feel them and yet control the expression of them to some degree, but today illustrates a way to go.

In playing Kingdom Hearts again, I see a similar vector to Lex and myself. The villains become heartless when they let their emotions control them. They allow the emotions to take control to such a degree that they lose perspective. The heartless is really an embodiment of raw emotion, while the nobody is an embodiment of intellect.

So where does this leave me? Besides feeling humiliated and unhappy with myself, it was a good cosmic slap upside the head today that I'm still looking to much to the external. Don't get me wrong I didn't think this person was going to take away my emptiness, and yet on an emotional level my feelings came out of this desire, this need, this whatever. I've spent the last two months trying to get involved with someone or another...it's been a fairly mindless activity for me, benign in a way, but at the same time not so much because I am hurting. But that hurt has really been caused by myself, by trying to find something with someone.

It's time to shift focus. No more looking for other relationships until I can get a better handle on my emptiness. It's time to start some other meditation techniques I have access to. Do that, work through this feeling of need and desire and go from there. It takes a while, but yes I really do learn lessons eventually. We are moving tomorrow. I'm going to post this today and start the new month off when we get internet access again. And please wish me luck with this emptiness working...it's just as hard as the love working was. This month really kicked me ass.

Entheogens and emptiness

Tonight I went over to a friend's place and utilized an entheogen. It's been about ten years since I've done it. The first time I did it, there was no spiritual purpose for doing it, but tonight, I had a specific spiritual purpose in mind.  I pulled out my two tarot decks and did a similar working, and while doing that I drank orange juice which contained the entheogen in it. I wanted to see what the experience of walking in the silver web of time would be like with the entheogen. Right now I feel like everything is an illusion, and that seems to have been the tone of the trip throughout the evening. I evoked XaH, Thiede, Purson, and the Spider Goddess of Time as I ingested the brew. I also invoked my future self, the Master of time. As I was writing down the results of the reading, perhaps twenty minutes in I began to notice that it was hard to write. I frantically finished scrabbling my notes and then put my hands into the prayer pose to start working with the silver webs of time. As an interesting note, I noticed that my train of thought became very cyclical and spider web oriented throughout the entire trip. I recall one of my fellow journeyers pointing out that what you brought into the trip is what you got out of it...echoes the sentiment of give to get.

My emotional spectrum was all over the place. I think a lot of my inner demons took the opportunity to come out and play tonight. I saw a lot of control issues and ego issues played out emotionally. Not horrible either to experience those and realize how much they sometimes inform my choices and actions. It actually showed me how strung up I can get sometimes about  the choices of life. Also the spider goddes of time devoured me at one point, or at least came close to it. She ate most of me, but left a small part behind and I regrew. I felt purified after she ate me...it was as if she ate the parts that were trying to control instead of just letting go and feeling the trip.

Physically, I felt like I was getting made love to by the music we listened to. I felt so damn good...it was like having a really good orgasm, except that it lasted for hours and hours. Also my feeling of time elongated, so that minutes seemed to take an infinity to occur. My perception of light became perceptions of web patterns of time. I wasn't so much weaving them as I was becoming them. I became this great spiral of time where I could traverse the web and go to different points.

One thing which really stands out me is that at one point I realized how instinctual every thing is. Basically I couldn't rationalize any of my choices. I recognized the instinct that informed each choice and saw each choice purely as an instinctual response. At another point I noticed how long I took between breaths as well as how heavy my body felt when I took each breath. At yet another point, the light seemed to elongate...and when I smiled or moved I felt incredible.

Remembers another point, where I pointed out to my one friend that he was wearing a sleep mask. He slipped it off and smiled...everyone moved in slow motion, jelly like in the flow of the concentric webs of time.

The final phase, which I'm in now, has been an odd experience. I'm basically observing myself doing things, talking, eating, whatever else. I'm cognizant that I'm doing the action, but it almost seems like someone else is. What's really been odd is that the observer part feels as if it's a step forward in time. So I feel like I know what Lupa will say a second before she says it. It's like everything was rehearsed in the lines of a play. I could predict what would happen and then it would happen. It was an odd experience of time to have because I did feel like an oracle. There's a part of me which is currently questioning whether I'm really writing this post or if it's just an illusion on my part.

I'm feeling really mellow at this point. The emptiness aspect of this experience really involved the inner demons coming out...maybe, or maybe it's this feeling of mellowness, or maybe its something else. Regardless, I feel very mellow, very relaxed. I think I will enjoy that for the rest of this evening. I may try these again in the near future for another space/time experiment as it proved fruitful in terms of experiencing the silver web of time.

Book Release: Mastering the Art of Ritual Magick

Immanion Press has just released Mastering the Art of Ritual Magick by Frater Barrabbas. It's the first book of a trilogy he is offering on ceremonial magic. I really enjoyed his previous book Disciple's Guide to Magic, and also enjoyed reading this one when I copy-edited it.

In Loco Dei: Pathology in Western Magic

By Vince Stevens In dealing with Modern Western Magic, I and those I work with often find consistent patterns of pathology in Western Magical culture:

  • Tendencies to arrogance and self-obsession among magicians.
  • An inordinate focus on rebellion, rebelliousness, and distance from the dominant - or any culture.
  • An unusual distance from people, processes, nature, and the world at large - a distinct sense of separation.  Magic is push-button, and people, cultures, nature, and even magic are seen as something mechanical, easily boiled down to a fw traits.

These pathologies often trouble I and those I work with in magic.  As magical pratcitioners, as much as we enjoy the activity, the pathologies in Western Magical culture prevent barriers.  Simply, when one joins a group, a list, go to an event, you worry you're going to run into what are lovingly called "the nuts" (and less lovingly called many other things.

I find no reason to think these pathologies are universal to magical and mystical practitioners.  A quick examination of practitioners of magical arts and their legends in different cultures reveals a variety of different kinds of personalities, virtues, vices, and practices.  One can find alchohol-fueled shamans, serene Buddist monks with occult abilities, compassionate Taoist sage-Immortals, and more.  There is no reason to assume the pathologies of Western Magic are universal to magical practitioners, or even have any particular utility.

Looking at these pathologies, I felt they would be best addressed.  So in my small effort to make a contribution to understanding these issues, I decided to ask - just where did these pathologies come from?  Perhaps by understanding these issues, I could do some good.

So, I started at the top.

ARROGANCE: The Christian God.

Christianity was the dominant religion of the West for centuries, and is an odd religion in many ways.  It proposes an omnipotent and omniscient deity of ultimate power that still possesses identifiable human traits of anger, love, and so forth.  Its central deity, despite his great power, allows evil and suffering to exist due to a rebellious minion, later explained as an issue of free will - which one would figure that an omnipotent being could deal with such an issue.  Attempts had to be made to reconcile a rather cruel tribal (Old Testament) deity with a later loving deity, leaving one with a loving being manipulating a messed up world and eventually condoning eternal torment for people for what would be frankly trivial actions.

The Christian God was also a distant being.  His creation was a possession of his own, as were the sentients within it.  He would regularly send disasters, plagues, and so forth upon people and countries, theological weapons of mass destruction.  He had no connection to his creation except as something separate.

However, despite his confusing nature, the Christian God was considered the leader in all things, and thus in many ways, could be taken as a role model.  His commandments were to be obeyed (even if they seemed to benefit those relaying said commandments).  His world was law, and his confusing traits were to be explained as mysteries or by theological acrobatics.

Magical practices of these times were thus limited by the strange issues of this deity: early Western-Christian magic seems to have split between "Natural Science" magic that worked with perceived neutral or divine forces, and a kind of religious magic where one used (or misused) the name of the Christian God, rituals, and so forth to achieve certain ends.  One worked within creation - or stepped into the rather large shoes of the Deity to call angels, coerce demons, and so forth.  There were exceptions (such as the mystical meditations of Honorius and of course the Cabalists.), but such two-sided magic seemed to predominate.

One never left the sphere of control of the Omnipowerful Christian God, but one could act like him.  And in this, I think the seeds of the pathologies of Western Magic were planted (as well as frankly pure social problems).  The first role model was an incomprehensible, erratic tyrant.

Of course, tyrants produce rebels . . .

REBELLION: Shout at the Devil Explaining the problems of the world in light of the hodge-podge of the Christian God proved rather difficult for people - a perfectly powerful, perfectly loving being was dealing with a supposedly imperfect creation.  Fortunately, theology provided a way with Satan, who can be thought of in many ways, but I think of him as a religious plot device.  A McGuffin with horns.

Satan is a figure somewhat less confusing than the Christian god, if only because he's somewhat simpler: a rebellious servant who decided to do his own thing and was, essentially, a professional pain-in-the neck.  You could always blame Satan.

Accusations of Satan Worship were common in Europe for hundreds of years - different sects of Christianity naturally assumed other sects were in league with the devil.  Satan was everywhere you weren't, and the explanation for all bad things.

Satan had two influences on Western Magic in my opinion: 1) First, Satan's influence on popular culture at the time led to plenty of stories of Satanism - and of course Satanic magic.  Faust may have been popular, but similar tales of deals with the devil popped up all over.  The idea of the magician as in league with dark, rebellious forces easily worked its way into popular consciousness, and affected people's expectations of magic.  Would-be magicians, frauds, novelists, and honest seekers were easily influenced - or were glad to influence others - with false grimoires and strange experiments. 2) Satan led to endless speculation, and of course, writing.  He was explored in Paradise lost.  He was written about.  He became a convenient dumping ground for people's fears.  Of course, as the human mind can't resist exploring, he was at times visualized as a hero, or turned into a counterforce to an evil false God with a nice injection of pseudo-Gnostic thought.  Perhaps the ultimate triumph of the idea of Satan were people who decided to actually go worship him, as others had been accused of doing.

However, Satan really wasn't much of a role model, except perhaps for the bacchanalian rebellion he provided against straight-laced society.  He was childishly (and suicidally) rebellious, destructive and lashing out against creation, and in general, a jerk.  He was a mirror-image to the Christian God, and he lived up to it, adding only one new trait: rebellion.

Thus the Western Magician was caught between an arrogant and bizarre god, and a romanticized but destructive rebel.  Magic itself was part of a system that usually involved coercion of beings (and a helping of whatever old pre-Christian rituals could be adapted).

DISTANCE: Blinded by Science As Western Society moved into its scientific age, a more enlightened time, the scientist took his well-deserved place in culture.  New discoveries, rational exploration, and intelligent thought became important to culture.  It's no small feat to say science is something we owe much to in Western society.

However, science still grew up in the culture of the West, and it inherited some of the pathologies.  Science could justify tribalistic identity with "scientifically justified" racism.  Science was seen as liberating us from creation and controlling it - much as the deity had.

Science in Western society, for all its gains, postulated humans distant from creation, controlling it, dominating it.  Despite evolution's reminder of our origins, people were still distant and controlling - just as the Christian God had been.  I will be fully straightforward in my biases - I think a lot of modern Western science hasn't yet transcended its cultural biases.

Unfortunately those biases came from the Western Christian concepts - and people were still following in the footsteps of the Christian God (and in a few cases, Satan's cloven hoofprints).

Science was in a way a boon to Western Magic - bringing in psychology, scientific metaphor, and cultural study.  I'd say in fact Western Magic greatly benefited from science.

However the distance rarely seemed to go away.  I've seen magic boiled down to pure, materialist psychology, fears of "scientificizing" or "psychologicizing" magic, and so on.  Magic, I think, has often suffered self-esteem issues in the West, and thus compensates not by doing its own thing, but by trying to be more like science.  There's a point when if you start being something else, you stop being what you are.

THE SUMMARY Western Magic, though making many leaps in the last decades (or century), still has its pathologies as mentioned in the introduction: Arrogance, Rebellion, and Distance.  The role models of Western culture (acknowledged and not), leave us with these traits.

However acknowledging the past lets us cope with it - and magic is after all transformational.  By acknowleding that Western Magic hasn't always had the best role models (and survived despite that), we can go about developing the future.

A philosophy about people and magic

One of my philosophies when it comes to interactions with people and interactions with magic is fairly similar and based on understanding that the less complicated a situation is, the easier it is to navigate the situation. This isn't to say that magic and people aren't complicated. They can both be very complicated, but a situation, a context doesn't have to be complicated and ideally if you remove what you can that could be complicating in a situation, it consequently sets a person at ease, or in the case of magic, makes it much easier to manifest. I realized sometime ago that the best approach with people is to simply put all your cards on the table and show your hand. No subtlety, no hidden agenda...just lay it all out and let the other person do the interpretation as s/he wishes. Every time I approached a situation where I didn't do this, where I didn't just lay my cards out, it always complicated matters, because even though I might have no hidden agenda, the fact that everything wasn't on the table aroused suspicion and played out the worst fears the people might have.

By choosing to play my hand, show all the cards, be transparent, it simplified the situation. On the one hand it could be argued that the other people had control of the situation by simply knowing everything I had in my hand...and yet in that openness I find comfort...I am so comfortable because everything can be seen...sure it can be interpreted and likely will be interpreted through the biases and filters people have, yet nonetheless, in that openness lies freedom...It becomes an accepted reality, and whether anything is done with that reality or not, the situation is less complicated. The person or people know what's going on and it's up to them to make a choice...and whatever response is made by those people I already know what my conscious choice will be to that response. It both opens up and limits the field of possibilities. It opens up the field of possibilities in terms of displaying the entire spectrum of choices that could be made, but it limits the field because those choices are made in response to my choice to be open. I consider this a kind of time magic, and in fact using this example above you can apply it to the practice of magic.

While magic isn't always complicated, in those situations where it could be complicated, either by working with other people or with other entities, it's again best to be transparent...The consequent acts of magic, on your part, don't contain latent possibilities which could trip up the working. you can also use this philosophy in regards to doing solo workings. By being open with yourself, you admit where there could be flaws, subconscious issues, sabotage instincts or memories. You give them expression through being open and also take away the power they would have if they were latent possibilities...You limit your own response to yourself so that you can ironically be free to make a choice in the possibilities presented to you. The process of magic becomes much simpler once this is done.

In other news, Reality Sandwich published my article on Identity and Magic

Article, Review of Magic Power Language Symbol and some thoughts on the occult culture

Taking the Path of Least Resistance in Magic has been posted by the good folks of the Right Where You are Sitting Now Podcast. I'll be writing more articles for them in the near future and look forward to continuing to work with them. I think they're a really good crew of people. Book Review Magic Power Language Symbol by Patrick Dunn

Overall, I was fairly impressed by this book. I think Dunn does an excellent job of explaining a lot of the theories behind language and magic, as well as showing how theories can be made into practice. He explores concepts of gematria, glossalia, metaphor, semiotics and much more and in the process makes all the concepts approachable and easy to understand. In fact, I think that's the strength of this book. It's written so that anyone can pick up the book, read about the concepts, and put them into practice, though at least in the case of gematria, readers will probably need to have a decent familiarity with Quabala.

I also liked his explanation of the semiotic web and the Defixio. In both cases he not only explains the theory, but also provides personal anecdotes and suggestions for how the reader can incorporate those practices into his/her work. I think his latest book is a good introduction to linguistics and magic, and he provides the reader some other works to explore once they finish his work.

I did have two minor issues which made this book a four out of five for me. The fourth appendix of the book has a bunch of practical exercises for the book. It seems odd that the exercises are placed at the end of the book, instead of incorporated into the book. I'm not sure if that a decision of the publisher or the author. The other issue is that while he does cover a lot of the connection between linguistics and magic, he doesn't cover much of the contemporary work occurring with linguistics or magic. He dedicates only a small section to the contemporary work. That said, this a good primer for linguistics and magic and how the two disciplines can be brought together. I recommend it to anyone who is interested in branching outward from more conventional approaches to magic.

Some Thoughts on Occult Culture

I was at Conflux this weekend. I had a good time, but while there I did a lot of thinking about occult culture and my own place in it. I've written in this blog, previously about my disillusionment with the occult culture, and yet I can't really say I'm disillusioned with occult culture overall. I think what it really comes down to is that I don't really feel I fit in with certain aspects of the occult culture...the aspects focused more on spectacle and image and performance. That's actually one reason I might not do Esozone again. While I'm looking forward to presenting my workshop there as well as meeting up with some people, I look at the program and I honestly wonder how much of what I'm teaching really fits with the overall theme. It's not that my work isn't focused on the other tomorrow...rather it's that I don't really relate well to the culture that has sprung up around esozone. I recognize it's occult culture of some sorts...I'm just not sure it's my occult culture.

But I've also been recognizing that there is an occult culture out there that I identify with and lately I've been starting to reach out to that occult culture. Not surprisingly who I'm reaching out to are people who have similar feelings of disenchantment with the direction occultism seems to be going in. They want something different, something more substantial, while also something that isn't so rooted in the past that it can't evolve. Lupa's suggested I try and find people I can work with who could develop some system or tradition...I don't know though...I'm mixed about that and yet I'm not...because I have a vision in mind...it just has to be with the right kind of person involved and I'm very picky with people, for a lot of reasons, which essentially boil down to being burned too many times by people I expected otherwise of. To work with someone in person would involve a lot of trust on my part (as well as theirs). Do I think it could happen? Yes...I know it can, because I actually am working with two different people closely, but it still comes down to finding the right fit, and if something actually develops in my immediate environment it will be with a small group of people initially.

And then too, I've increasingly been getting involved with other subcultures and the more time I spend in them, the more convinced I am that something really has to change with occult culture overall. It's not that these other cultures are better perse...it's just that there's something happening in them that I don't see as much in occult culture...what I see in other subcultures is less insularity, more communication and networking, more looking our for each other and supporting each other. The other day, a person who wanted to come to esozone and needed a place to crash and posted about it on an occult forum got no responses. I finally messaged her, because I really didn't want to see someone not taken care of...I wanted I suppose to reach out to this person looking for community and provide something of that to her. I suppose what I'm looking for is something of a tribe of sorts, or a system wherein we look out for each other. Lupa and I, have opened our doors a fair amount to occultists coming through Portland. I expect this will continue...I believe in hospitality, plus it's always good to get a chance to talk shop.

I have a vision of an occult culture and I think it's possible to make it real. The non-fiction line of Immanion Press is part of that vision made manifest...and it's time for more of that vision to be realized.

Neuroplasticity, the Mind, and Will

Among the many books I'm currently reading, The Mind & The Brain by Jeffery Schwartz and Sharon Begley is certainly one of the more intriguing. Neuroplasticity, which is the brain's ability to create new neural connections or adapt current ones to different circumstances is somehting which apparently never stops occurring. The authors also argue that mindful practices can be used to harness and direct neuroplasticity and apparently have used such practices to help patients with OCD, as well as reporting on similar cases with patients who have tourettes and dyslexia. What this suggests to me, is that we have marvelous untapped resource in our brains, and that with the mind and it's capacity to consciously direct change (which I'd consider to be the will) we can harness neuroplasticity and use it. This actually is something I've written about before with the the neurotransmitter entities in Inner Alchemy, but I think it can be taken even further than that and a lot of the books I've been reading on neuroscience seem to agree with the direction that my experiments have been taking me toward.  It's also evidence to me that we need to continue looking at what's happening in other disciplines to see how it effects our own work as well as what we could achieve for ourselves. I think if more people were aware of how much control they could exert over their health, physical and mental, there would be a significant change in how those people dealt with difficult situations. There is so much possibility...It's just a matter of developing the techniques and processes that people can use to help themselves.

Some thoughts on Linguistics and Magic, An interview with Sequential Tart, and Radio Show Reminder

Whew! That is one long title, isn't it? Interview With Sequential Tart

I was interviewed recently by Sequential Tart about Magic and the Self. I discuss some of my previously published works, but also some of my on-going work in identity and magic.

Some thoughts on Linguistics and Magic

I recently picked up Magic, Power, Language, Symbol by Patrick Dunn. I haven't cracked it open yet, but I'm looking forward to reading it, because one of my many interests in magical practice is the combination of it with Linguistics, as I've amply demonstrated in Space/Time Magic, Inner Alchemy, and Multi-Media Magic. It should come as no surprise to readers that my next book project will likely include something on language and identity in relationship to magic. The reason I'm not reading Dunn's book quite yet is that I'm currently reading a little book called Grammar for the Soul by Lawrence Weinstein. I'm already impressed by this book and the author has inspired me to read up on Benjamin Whorf's contributions to Linguistics. In this book, the author looks at how punctuation can be used to evoke emotional states of empowerment and personal change. A colon, for instance, can be used to get noticed by people. And you know...he's right so far. As I've read this book, I've found myself nodding in agreement and underlining passages...and thinking...I've seen this focus on punctuation in multimodality before, but never phrased in such an elegant way. What pleases me the most about this book is that the author looks at how the placement of words, phrases, and punctuation can make all the difference in the mood evoked by that word and punctation usage...it's not NLP, but it is a study of the power of the word.

I think linguistics is one of those disciplines that magicians should start studying on day one of their magical practice. Because so much magical practice revolves around the almighty word, it makes sense that we should focus on the discipline that already studies how the word is used. One of my favorite authors, William S. Burroughs experimented frequently with the power of the word and how it could be used to shape reality. My own experiments with words have always proven to be fruitful: I even evoked my wife into my life using a collage and have occasionally evoked other people as well. Now that's magic at work!

I've always felt that writing is one of the most powerful mediums of magic. It conveys more than information. It conveys emotion, virtual environments, memes, concepts, viruses and so much more...and it's something we can experiment with fairly easily once you know the rules.

Radio Show Reminder

My next show will be today, September 9th at 8Pm Pacific standard time.

Subject : Change your Re-Action to Action!

Summary: Sometimes, whether we intend to nor not, we sabotage ourselves with our reactions. A reaction is a pattern of belief or emotion that causes us to act in a particular way. In this show, I will show how you can change your limiting beliefs and reactions into actions that help you manifest your imagination into reality.

Listeners can call into the show at: (646) 652-2830

On the value of Inner Alchemy

I'm copy editing a book for Immanion Press called Whiskey, Tango, Foxtrot: A Troubleshooter's Guide to Magic by A'Miketh, and I'm really impressed by what I'm reading, because this guy has managed to explain some complex concepts in fairly approachable language, and more importantly he's cleared stated the value and need for doing external work before getting into all of the flashy external magical work. And I have a lot of respect for that. I was chatting with Bill Whitcomb earlier tonight about how change occurs in society, and we both agreed that change takes a long time to occur when it's done right, because the best way that change occurs is through changing the internal reality of yourself and modeling that change to others. It's not nearly as dramatic or active as trying to protest political rallies or trying to throw a revolution because you dislike what other people are doing. It's a much slower form or change...it takes time and some effort to create change in yourself that brings you to healthier patterns of behavior and communication.

But I would take that kind of change over the change of a revolution, because a revolution inevitably only replaces the previous oppressors with the people revolting against them. That is to say in a revolution the only thing that changes are the people in charge. What doesn't change is how those people treat other people, because for a revolution to usually be successful, it is violent...and that same violence twists the people who beget it, so that they become what they hate, because having overthrown a previous government, they quickly begin to fear that the same will happen to them. The French revolution and the Bolshevik revolution and revolutions in China (both in the early and mid twentieth century), and to a lesser extent the American revolution are good examples of this process, where change is promised and a government is overthrown and ultimately what replaces it is more of the oppression that the revolutionaries claimed they fought against. This incidentally is one of the reasons I'm skeptical about the so-called good intentions of the activists...I see them as just another form of political extremism and should that extremism replace what we currently have, I don't believe it will be any better than what it replaces.

I favor instead a revolution that comes from within a person...a fervent desire to change the self, to recognize that to change the world around us, we must first be willing to take responsibility for our own actions and thoughts. Instead of blaming others for the woes of the worlds, we should take responsibility for ourselves and what we can change...our attitudes about others, our actions toward the environment we live in and do it in a manner where we model how we want the world to change, but without trying to force that change down everyone's throat. I imagine that may sound idealistic, but in copy-editing this book and reading this person's thoughts on how to create a system of mindful awareness and internal change mechanisms in western practices of occultism, I see more than idealism...I see a methodology and practice that can make it happen, but ultimately requires a voluntary to make it occur. I turned to Taoist and Buddhist breathing and meditation techniques to develop a system for internal work that was also mixed with Western techniques for pathworking, but in reading some of Dunlap's ideas, I also see some hope for Western occultism developing some of those same internal practices without having to borrow as much from Eastern practices.

It seems to me that when a culture or society doesn't have a system of some sorts for developing reflective and consciousness awareness of emotions and reactions and triggers, it is very hard for that society to change. And really, for this kind of internal work to really bear results, you need everyone in society doing the work...not just some monks in a mountain hideaway. This is why I hope such practices will continue to become more prevalent in this culture...so that people can really be aware of what sets them off and work on deprogramming the bad triggers, while also figuring out who they really want to be and how they want to manifest that to each other and the world at large. I think if such practices were more prevalent there would be much less violence, much more cooperation, and also much more of a sense of connection to and with each other as well as an awareness of the responsibility we have to each other, to ourselves and to the environment we live in, aka, to the entirety of this Earth and universe.

Radio and Emotions

Yesterday I did my first radio show, You can listen to it here. I'll be doing another on Tuesday at 8 pm pacific time on how to dissolve blockages. Earlier today I was interviewed by Al Anderson for the Ascending Way show.  You can listen to the interview here.

I also sent off the finished version of Bill Whitcomb's The Magician's Reflection and the anthology The Pop Culture Grimoire: A Pop Culture Magic Anthology. So overall a busy day and I'm working on an article as well for a magazine.

I'm also reading (among other books) Emotions Revealed by Paul Ekman. You might recalled I mentioned Ekman's work with FAC - Facial Action Coding. So far I've found this book fascinating and engaging, not the least because the writing style is definitely not as dry as what is usually found in scientific writing. One point he makes is that we don't feel emotional about everything. I found this interesting, because it is rather easily to believe that one is always feeling emotion, and yet I know I experience times where about the only emotion I could be feeling would be consider calmness...I've never really thought though it was possible not to feel an emotion. I'm not sure if I agree with his conjecture and he does note that some scientists disagree with him, arguing instead that what we feel is too slight to register in an overt manner. It's something I'll have to mindfully observe.

He also identifies nine paths to generating emotion, though thus far he's only written about one, in which we sense that something is about to effect are sense of well-being. I'll be curious to see what the other routes are.

His work is fascinating and relevant to the internal work I've discussed as well as to the blending of neuroscience and magic. I consider emotions to be an integral component to magical workings, given how much they motivate our actions it stands to reason that they play a similar role in the practice of magic. They are a basic component to life, but an essential one as well.

I have a few more books to read, just a few...and then the research will be done.

The process of internal work

I think the hardest aspect of internal work is when you face the root of the issue that you're working on.. On one hand, you now know what you're really dealing with. On the other hand, you're also faced with the question of, "Now what?" I was thinking of that today as I walked around the local park, working through an issue that I've been struggling with the last couple of weeks. I generally find in doing internal work that there are four stages that occur. The first stage is a sudden realization that something is bothering you. You can't quite pinpoint what it is that's bothering you beyond dealing with the immediate experience that you're involved in. That immediate situation is really just a symptom of the actual problem. It definitely needs to be addressed, but chances are it's based on a behavior pattern that can really deep into the past. It's a reaction to the original core issue...but you don't know what that issue is yet...you can identify characteristics...I feel jealous about X or this made me angry, which comes in handy later on, but the symptom is just that...it's a symptom...it's pain's it's something sending a message that something is wrong. Once you've dealt with the symptom, you still have a ways to go.

Stage 2 is digging. You start comparing the characteristics of the latest situation with the characteristics of previous situations where you suspected you acted in a similar manner. For instance, if you found yourself competing with someone because you felt jealous, you would look in your past for related incidents with other people. By finding a relationship, you could then begin to trace the issue back to the root cause of it.

Stage 3 is discovery of the root cause, or if you will the root emotion. For instance, just because you feel jealousy in incidents where you compete with someone, you shouldn't assume that jealousy is the motivating emotion. Remember, it's a symptom, so while jealousy is an emotion in its own right, it may just be a symptom of what you're feeling at your core. Perhaps, for instance, you are competing and feeling jealous because you really want to feel acceptance from other people. Acceptance is definitely not the same emotion as jealousy, but it can inspire jealousy depending on how acceptance is obtained. Once you know what the root cause is, you're at the now what stage. You've identified the root problem, and you're consciously aware of it. Congratulations! But now you have to figure out what you will do with what you've discovered. This can be hard to figure out, because you're also facing what really motivates the behavior you want to change and facing that root cause can be a bit of a doozy.

Stage four is figuring out what you'll do now that you know what's motivating your behavior. You've got a few options:

A. Do nothing. This might seem like the easiest, but unless you are completely comfortable with the behavior and the consequences that result from it, this will come back and bite you in the ass until you decide to really make a change.

B. See a therapist. Working with a therapist can help you explore these issues safely with another person present. Also the therapist will to some degree hold you accountable to make a change. This option can be combined with option C

C. Utilize a form of mindful awareness to consciously monitor yourself. This is greatly enhanced by pathworking, meditation, energy work, or some other form of internal work. This can be done without option B, though I'll note this can be tough work and will challenge you because as you dissolve the issues, you also leave room for more subtle issues to rear their head. I recommend that if you choose to do only this option that you also make sure that you know you can stop and see a therapist at any time. Don't go deeper than you are comfortable with. I will note that using meditation and mindful awareness for the last three and a half years has definitely helped me dissolve a lot of unhealthy behaviors, but it's been intense work and sometimes fairly wearing. I know what keeps me focused on doing it is the awareness that as I continue to do this work, I am getting healthier and happier and I consciously know what informs my choices.

I am still doing a lot of internal work. The stages I described here, are pretty accurate to the kind of work I've been doing. Internal work isn't necessarily glamorous or something very overt. It doesn't require much in the way of magical tools, or sigils, but the payoff I think is that you are more conscious of your choices and can control yourself more readily...and the need to do magic to solve problems actually goes down because you're no longer acting out your unhealthy behaviors.

Elemental Love Work Month Ten

I have two more months left to the elemental love working. It kind of amazes me that in such a short, but also long time, my yearlong working with babalon and the element of love will be receding into the background to make way for the next element to be worked with. This month has been interesting in Three different ways.

1. I recently had an opportunity to choose to be honest about a situation...and I chose honesty. I have to admit, making that choice is when it comes to personal matters is not very easy for me. I've sometimes lied or concealed things to my later detriment, because there's that distinct voice within which says, better to keep this from someone then let them find out and see the real you. The real detriment of lying isn't even the broken trust of the other person, though that is definitely detrimental. It is the punishment one puts him/herself under every time the truth could come up...because make no mistake a liar does punish him/herself because no matter how well hidden a truth one person always knows it and that's the liar.

For me, honesty in love has been one of the hardest lessons to learn. I can easily point to my past and say that it was because of my past, what I learned early on, which was that lying sometimes ensured I didn't get caught, didn't get grounded, didn't get told I was a disappointment, and most importantly I didn't get hurt if I lied good enough. If I lied and no one else knew, they might even accept me...no it's not rational, and it may not make much sense, but it is a reaction that is writ deep within me, and so naturally is something that has come up time and again throughout these ten months, in various different forms and flavors. Coming to grips with the lie of lying, and really seeing how much the truth can set a person free is in someways the central theme of this year's lesson for me. And of course Babalon has been very insistent I learn this lesson, which completely makes sense, because she is a goddess of desire, and desire is only truely known when you can be true with yourself and others.

So earlier this month, an opportunity came up to be honest about some things and I decided to take it. It wasn't easy. There were a couple moments where I felt like it took everything I had to say a simple sentence. Yet the feeling afterwards, of relief, of release, of no longer keeping something in secret, of being able to really open was so empowering, so strong, so different from keeping something to myself. I felt liberated...and in one respect I felt as well that my word as a magician was strengthened. I believe both William G. Gray and Franz Bardon wrote something to the effect that the magician's power is only as strong as his word. The truth does set you free, from your fear, from your worry...but it takes a lot of work. I wish I could say that being honest is an easy thing for me...in most areas of my life it is...but love is deep...there's deep wounds and letting them heal takes work, takes trust...I'm learning that trust, learning how to trust myself so I can trust others. Trust and love start from within. Before you can have trust or love with someone else you really have to trust yourself and love yourself. For me, the sign that I'm changing is that while I still struggle with myself sometimes to tell someone else how I feel or about something I did that I know wasn't good to do, 9 out 10 times I succeed in telling that someone...and that one time it doesn't occur right away, it does happen, if a bit later down the line. It's an accomplishment for me to be at this point of honesty with myself. And yes sometimes I still lie...but it's less and less.

2. In a conversation with a friend I was told I'm trying too hard...specially trying too hard to be his friend, which accounted for his tenseness around me. I really appreciated his honesty with me and ended up agreeing that was the case, so I relaxed and that friendship is getting better. But in thinking about his comment, I can say it's been true in other situations as well. I've caught myself a few times this month trying too hard when it came to other matters. So I'm learning to relax more...try less, do easy...it's interesting and it's given me a better look at some of the ol' thought stream in my head, and what it is I tell myself sometimes. Not sure where this will go beyond just trying less, and relaxing more in my relationships with others and myself.

3. finally read this in a book. Sex and love are two different needs. You might think this would be obvious, but I don't know...so much focus in this culture on true love and what constitutes true love, including all the sex that is supposed to happen all the time. I'm not saying sex can't be something important to a relationship you have with someone, but sex and love aren't the same need. Sex can be an expression of love, but it can also be an expression of hate or lust, even sorrow (in one case I heard of). And sex is its own need, something which we need, but love is also its own need and again something we need. It's funny, but as I've done this love working and really faced what love seems to be for me, I've seen the difference in these needs more clearly. Yes I like both love and sex and want both in my life, but they are different. Sex doesn't always bring love with it and yes I've known this for a while, but reading that sex and love are different needs...it kinda hit me with a clue by four that helped me get this understanding in a different way that all my prior experiences never really showed me.

I won't say love is more valuable than sex or vise versa, but feeling that need for love is a different than needing sex and in retrospect sex definitely fills or hits a different area of the psyche than love...love is much more subtle, less obvious...it does something, but it also takes a lot more work than sex might.

So that's month ten for me...each month is really amazing...I've learned so much in each month, in each moment of vulnerability that working with this element has provided.

Follow-up to my post about my disillusionment with the Occult Scene

I've been watching with some interest just how much traffic my post about my disillusionment with the occult scene has generated. It even got linked by Chas Clifton, a pagan blogger and academic. He summarized that post as, " Aleister Crowley's legacy still poses problems for occultists -- especially when they take Internet "life" as equivalent to a "scene." Unfortunately that summary misses the point of that post entirely. I can understand, however, why he might think this was an issue with Crowley's legacy (such as it is) given my previous posts about Crowley on this blog. However Crowley is just a symptom of the problem, albeit to my mind, one of the originating symptoms. My original issue with Crowley essentially boils down to this: If after seventy years since his death, Crowley still represents the pinnacle of occultism, then occultism as a discipline hasn't advanced at all, which then brings up the question as to why any of us even bother practicing magic at all, if all we're trying to do is emulate him. Mind you, I don't believe all of us are trying to emulate him, but my original issue with Crowley was spurred on by seeing this person talked about so much, with so very little attention seemingly given to other occult authors or other original perspectives that weren't necessarily overtly influenced by him, to the point that some of these occult authors are only, in recent times, being rediscovered (Franz Bardon particularly comes to mind, though I can think of a number of others).

But after re-reading some of Crowley's work, I came to realize that my issue with Crowley was just a symptom of a deeper problem. I could see that Crowley had some valid points to make, even if the end I felt that while what he wrote could be insightful, I still don't believe its as influential as some people would argue. Before I get into any arguments with people who disagree, I'll just accept that yes he obviously has a lot of influence on you and your practice of magic. However, in re-reading his work I still don't find it very illuminating or graceful or any of the other things you think about it (so let's agree to disagree about that).

But this brings me to the problem I now see Crowley as a symptom of. Crowley's image, his notoriety is to me symbolic of the problem I perceive with the occult scene. I honestly wonder if people would find his work as influential if he didn't also have that bad boy image that he has. In other words, I think that the image has overtaken the content. And given that there are no other occult authors that really have that kind of notoriety, a further question I find myself asking is, "If another occult author had that kind of notoriety, would people read his works in the same way...would the image influence how the content was perceived?" Now someone might say, "Hey it's not fair that you assume that Crowley's image influences my reading of his content." Yes it may not be fair, but it is a valid consideration to bear in mind. Does Crowley's image overtake, overshadow, and consequently influence how his work is read and/or practiced? Is Crowley the best role model of a magician that we have? Should he be a role model for us? But it doesn't end with Crowley. The problem here is how much is the occult scene invested in image opposed to content (and who decides what is image and what is content?)?

When I talk about the occult scene, I'm not just talking about Crowley and I'm certainly not just talking about the internet occult scene. The Zee list was an excellent example of what I considered to be part of this image problem I've talked about, because on the zee list what you really had occurring was a lot of chest beating and posturing over who was the uber occultist of them all. What didn't occur was a lot of sharing of ideas or experiments. Some of that occurred, but most of the time you had flame wars erupting...and to a lesser degree this also occurred on other e-lists. I can't say if it's occurred in recent times, because I'm not on any of the e-lists I used to be on. I stayed off them when I realized that any experiments or work I was going to do would probably be best shared with only a select group of people.

So dear reader, at this point, you might ask, "So why are you feeling disillusioned?" And my response: "Is occultism as a culture about image or content or is there a good balance for both?" I think of Generation Hex, the anthology edited by Jason Louv as an example of what I'm asking about. Because on one hand it represents a snapshot in the lives of certain people and their pursuit and practice of magic, and on the other hand it also represents a method for marketing the practice of magic as something cool people can do. It's a cultural text that offers us insight into why people decided magic was relevant to them as a practice and as way of connecting with other people, etc, but it's a statement of how magic could (should?) be perceived.

And then too my disillusionment about occultism comes down to: "What does doing all of this stuff really do for me? How is this really changing my life?" I have no doubt magic has changed my life and changed it for the better, but in considering questions such as those, I also consider the role of occultism as a culture and as a practice in my life. Is the practice of magic just a practice that allows people to connect socially or culturally? Is the practice of magic an elaborate social schema for interaction with certain types of people? Or is there more? I can point to my own experiments and say yes there has been more than just a connection on social or cultural level. But when I look at occultism as a whole, as a culture, I'm asking, what are we practicing magic for? What is the purpose for practicing magic? How does this practice benefit us as individuals, as a cultural group, or humanity, or the Earth, or the universe? What is the significance, if anything...or is it just image in the end?

And to be clear I'm not commenting on the practices of others or your choice to be influenced by Crowley or whatever else as a way of dismissing it. To quote a tried and true maxim of chaos magic, "Whatever works for you" I'm really commenting on all of this for myself, as a way of looking at how I situate my practice of magic into my life, and into my interactions with the occult community and culture. I'm seeking answers to my questions, because those answers will really shape the direction my spiritual path goes into, as well as how and if I continue to take part in the occult community. Posting it here is the opportunity to articulate my feelings and concerns, to get some distance from them, to come back with a different perspective down the line. What answers I get, which could come from commentary that others offer, still are answers I have to find on my own. I suppose you could my disillusionment my spiritual mid life crisis. It's not necessarily a dark night of the soul, but it certainly is something to me...and that's just fine, because it means something is happening.

That identity thing again: Being a report on my latest projects

I've been saying for a while now that a lot of my work in magic focuses on identity. I haven't gone into a lot of detail, but that's because the pieces are getting sorted out and catalogued in my mind and this takes a while. But I recently started reading Nature and the Human Soul by Bill Plotkin and he strikes on some stuff that I've hit on before in Multi-Media Magic about identity. In MMM, I defined as the agreement between the person and the universe as to the person's place in the universe. Plotkins takes it further when he says that a thing's ultimate place is defined by the relationship the thing has with everything else. And I find myself agreeing with that...not just relationships with other people or even other animals, but the relationship a person has to the sense of self in those relationships, as well as to the place where s/he lives, to nature, to the plants, the air, the elements, etc. When I think about the elemental work of the last few years, the effect it's had on me, the effect it continues to have, I am struck by the realization that it and really all of my magical work has been a way of changing my identity, renegotiating the terms of the agreement with the universe so that my place is somewhere different from where it was, which is basically what I wrote about in this article. Reading Plotkin is a further confirmation that I'm on the right path with identity and it's role in metaphysics. Of course I've gotten other confrimations in the books on psychology and neuroscience I've been reading, but I like it when I get confirmation from a different perspective and in fact reading Plotkin's book is looking into a different perspective.

I'm also pleased because I'm nearly finished with the research of my identity project. I've been spending the last year reading and exploring this concept. I have a lot I'll need to put together and I do need to go back and reread a few books I haven't touched in a couple of years such as Wilson's Prometheus Rising, but it is coming together. What will be particualrly fascinating is explaining the different between the concept of consciousness and identity, because there is a definite difference...as well as explaining how all of this relates to concepts of space/time magic and inner alchemy.

You know the love work has been an exploration and renegotiation of identity for me. It started out with the relevation that there was some definite problems in my understanding of love and how it manifested itself in my life, as well as how to express my desires...and it's changed so much since then...and it is so fascinating to see this change in effect...not a change to get a material result or call up a demon/deity, but instead a very focused internal change that nonetheless shapes and changes how a person relates to everything he has connection to more profoundly than any sigilized result could...

Oh and I have several ideas of what my next elemental working will be...but I can't share yet, cause I need a bit of time to see if that's what I really need to work on, or if it's just fanciful thinking.

My disillusionment with the occult scene

My disillusionment with the occult scene started eight years ago. I remember the incident vividly. I was telling my mentor, a magician who was a member of TOPY about some ideas I had about pop culture and magic, when he stuffily told me that my ideas weren't real magic. I was pretty shocked to be honest. I'd never had anyone just up and tell me that (of course until I lived in State college, PA I hadn't really encountered too many occultists or pagans). I'd had a belief that occultists were open-minded people, always experimenting, always trying new ideas out. It was a fairly naive belief, in retrospect. In later years, on the zee list and other e-lists, I saw a lot of squabbling and flamewars occur. I saw people discourage other people's creativity and experiments. I took a year and a half off from the online occult scene for that reason, deciding to just do my own thing. Eventually when I did rejoin it, I'd founded my own e-lists for my own purposes and made sure I picked people who I could work with. I remember with some fondness my timemachines e-list which I ran for several years. The focus on space/time magic was exhilarating because people were focused on learning and experimenting. There was nothing remotely discouraging about the sharing of ideas, no attempts to put people down or tell them what they couldn't do. I always found that kind of atmosphere conducive to magical work.

The last few years have seen a lot of changes in my life, and with it a continuing growth of disillusionment about occultism and what it represents. Occasionally I feel that I'm an old-fashioned curmudgeon when I look at what I perceive as a culture of image, of marketing the occult world in a particular way that to me all too often seems to focus more on the act of rebellion and less on the potential of magic. Occasionally, I look around and wonder, "What happened?"But then I also ask myself, "How much of this disillusionment is just your expectations?"

And really in many ways that's what disillusionment boils down to. It is the refutation of your expectations, the realization that you have placed expectations on something or someone...and suddenly the scales fall away and what you see may not match up with the reality you imagined...and what you see about yourself and how you've looked at a situation through blinders may also be very revealing. Any subculture goes through changes and the occult subculture is no different. How a person adapts to those changes or doesn't determines how much participation that person might have in the community down the line

Over the last few months I've withdrawn myself from a lot of the occult community happenings. Some of that has been the elemental love working and the demands it's placed on me in terms of really digesting what I'm learning about love, and myself. Some of it has been evaluating what my place is in the occult community, what I have to offer it, and whether what I offer is of any real value to the subculture. Some of it has been exploring life in different directions and perceptions that until now I hadn't thought to travel in.

In recently challenging the sacred cow of Crowley on this blog, I found the opportunity to really look at what one of my issues with occultism has been, namely the focus on the image over the reality. Because if there's one thing that Crowley represents, it is the image of the occultist that he created in both his actions and words. In some ways that notoriety has played in his favor, but in other ways, I have to wonder if he'd look at it as such a beneficial thing. It doesn't matter beyond the fact that people need symbols and so will gravitate toward those symbols. Crowley has moved beyond the role of the magician and assumed the role of an icon and a symbol for occultism, in particular Thelema. In truth my recent posts about Crowley showed me that it is very hard, if not impossible to separate the icon of Crowley from Crowley's writing.

That same issue is spared for just about any other writer of the occult. Most writers of the occult never achieve the notoriety Crowley had. The focus on their works is less about the image and more about the reality of what they were trying to do. It's a subtle distinction, but an important one to make in considering where occultism as a subculture is going. It's one I've considered carefully the last few months as I've withdrawn from the occult scene (Beyond what I post here). Is occultism about the image, about the appearance of a certain style or operating a certain way, wearing certain clothes, uttering certain catch phrases, in short fitting into an idealized image of occultism? Or is occultism about what we do, how we do it, how it can be used to change lives, help each other grow, and learn about the inner workings of the universe?

I've been pondering these two questions for years...and in some ways my work with identity is informed by my ponderings about these two questions...because identity is informed both by what we do and how we are perceived by others and ourselves...the content and the image.

In taking a step back from the occult scene and considering the different questions I have mentioned here, I've also been considering my disillusionment...the role my expectations play in that disillusionment, but also the recognition of the questions I'm asking and the answers I'm steadily working toward. I have no answers...and yet I have the longing to connect with others in finding those answers. In working magically with two different people lately, intimately working with them, challenging and being challenged, I'm struck by just how good it can be to have people to work with, to talk with, to share with your spirituality, your journey, even as they share there own.  And maybe that's an answer itself to me...and a cause all its own for that disillusionment I've felt. It's all too easy after all to get wrapped up in your journey that you forget to look around and enjoy perceive the journey of others. And isn't that, in it's own way, a form of judgment, of valuing certain things, without appreciating what really is available to a person? Yes...it can be.

With some distance perspective changes, just as a subculture changes...what results then?

Why internal work is so important

Yesterday I got to meet someone in person that has been doing a lot of internal work. I've been following her blog quite a bit and it was a real pleasure to talk with her about her practices as well as comparing some notes. She made an interesting comment, "I'm doing this work because now that I know what's inside my mind, I have to do it" That's paraphrased actually, but essentially she acknowledged that once she was aware of different issues it became her responsibility to deal with those issues. I agree. I feel a similar feeling of responsibility with my own issues.  Once the ignorance is stripped away I can't not act on those issues. And that's why internal work is so essential to a magical path. It's not as glamorous or splashy as doing sigil work or some form of ceremonial magic or something similarly more focused on external reality, but internal work is what allows us to develop an appreciation of our place in this universe as well as our responsibility to it...and of course the internal work is linked to the external reality. The more you straighten yourself the less need you may find for doing some of the flashier forms of magic.

Over the last few years I've embarked on a journey of internal work which has progressively taken me both deeper into myself and deeper into the awareness of others around me as well as the environment. I've consciously come face to face with a lot of toxic behaviors. And I've managed to work through a lot of those behaviors. I still am working through others (the year long love work being an example of dealing with my toxic behavior patterns regarding love and sex). It's not easy work. Sometimes I've wanted to quit or hated what I've seen about myself and yet as I continue on this journey I feel more empowered each day by my choice to stay on it, by my acceptance to consciously change my life instead of acting out the same old patterns with the same results.

To me it's striking to consider who I was four or five years ago and who I am now. The differences are profound. Four/five years ago I was undisciplined, much quicker to anger and more inclined to hold a grudge and it really never benefitted me to do any of that. It usually just created more problems. And now, while I still have some ways to go with some areas of my life, I overall feel much more stable, clam, and focused. Life is getting better and less chaotic. And I don't feel nearly as uncontrolled as I used to because I've found the strength within myself to recognize my patterns and make changes for the better. Without that internal work, I have to admit I don't know where I would be.

Elemental Love work: Grievance

I'm reading Perfect Love: Imperfect Relationships by John Welwood as part of my love work. One concept he discusses in this book is Grievance, which is an inability to let go of how people hurt you, but also a means of empowerment, of feeling righteous and better than those same people. It was actually quite timely when I read this because I was feeling fairly greivous last night about a couple of matters, and after reading the chapter on grievance I recognized what I was feeling for what it was.  While feeling Grievous I did feel empowered if only in the sense that in my bitter complaints I could justify my being right over whoever I felt was wrong, and yet afterwards as I read that chapter I realized I'd been pretty unfair and judged those people fairly harshly, and without really being able to say I knew them. So last night has given me a lot to consider about what I was feeling grievous about and what kind of internal work I can do to help me process and let go of it. Something else I realized is just how good it can be to have someone to speak with about this stuff. Lupa and I had a long discussion about first the grievous feelings I felt and then who we considered close friends. It was an illuminating conversation that helped me appreciate her because of how much more empowered I felt being able to really be vulnerable and speak of and to the emotions that underly the greivous feeling I was initially experiencing. The true power of love, it seems to me, is to be able to be vulnerable and open, to really see yourself as well as being seen by someone else.

When I think about my history with grievance, I have to say that I have held onto grievances longer than it was worth doing so. I've managed slowly but surely to let go of some of them, which is a victory for me, but there are still some I've held onto and it's really a covering for the actual wound that the grievance is scabbed over. Still, even managing to let of some of those grievances is a step in the right direction. Now knowing more about grievance, I have some direction for my internal work...and perhaps will get better at releasing grievance as a result.

Deity, service, bargains, needs, etc.

A while back I posted a few posts about deity and service The first one is here.

The second one is here.

The third one is here.

As I woke this morning I thought back to a situation where I could have potentially dedicated myself to a deity. I'm glad I didn't, because the truth is I'd make a horrible dedicant to a deity. I'm very casual about my relationships with any deity. I put the occasional offering out, but when it comes down to it, for me any relationship I have with a deity is ultimately not about service to the deity or its various fellow worshippers or the tasks it wants me to do. For me it's about the bargain. It's what can I do for you that will get you to do something for me. Or it's about forging a relationship of mutual benefit and friendship.

The role of priest or priestess isn't a role that fits me. While I can respect that people are called to that role, I couldn't ever see myself serving a deity in that way. Likewise I find the concept of being a god-slave unworkable for myself. I recognize that it might fulfill the needs someone else has to be in that role, but for me, it could never work and there's a fairly simple reason for that.

I'm blasphemous. I'd always question and challenge the god. When I was a Christian, long ago, I was always dissatisfied with the idea that I had to submit to some nebulous force that had all the answers and was willing to let people suffer in order to prove themselves to it. The comic Preacher, to me, represents the most accurate depiction of the Christian god, a cruel tyrant who seeks to force others to love him because he is fundamentally unable to deal with his own sense of fear and loneliness...so he creates a permanent co-dependent relationship with humanity, in order to get them to love him, while also tormenting them. I could never understand why a god would want unquestioning obedience and so if I couldn't give that to the Christian god, why would I give it to another god?

The posts I wrote above reflect that as well as my own beliefs about the gods. I agree with the Buddhist conception of deities, which is that they are ultimately enslaved and attached to their own power and consequently can't operate outside of what they represent. They becomes filters and doorways to access deep concepts, but in doing that they are also can't evolve or become anything else...unless of course they have interaction with human beings. By being served by humans they get access to experiences they might not otherwise have. For example, Invoke a god and what you do is provide a gatway to yourself, access to your energy and experiences. Of course you get access to that deity's energy as well and that can be useful for some people, but there's always a price. I've seen that price paid and the effect it's had on the people paying it, and I'm not sure the price is worth any power received.

I prefer bargaining to service, because service is ultimately submission. There is no guarantee you will get anything for your service, but with a bargain there are set conditions. I wouldn't go so far as to say that I'm a friend to a deity or demon...some people have argued that they prefer to create relationships with such beings that are friendly, but there's a question they don't ask, which is whether or not the deity/demon even comprehends the concept of friendship, or if it does, have they considered that the deity/demon might have an entirely different concept of friendship than what you have? They might think of you as a cat or a dog for instance.

So I go with bargaining. If I want something and I find I can't accomplish it through my own resources I find a being who can accomplish it, and we talk. What does it want in return for accomplishing something specific for me? In Purson's case, he wants a dedication to him in my next book on space/tiem magic and his sigil on the cover of my solo occult books. Fair enough, I can do that. I'm happy to give him credit where credit is due.

In the last nine months I've been working with Babalon. In fact, the situation I was reflecting on today was a possible dedication to her. Working with her has been challenging. She definitely demands a lot when you work with her. Last October when she made it very apparent that I would be working with her for a year in my element of love balancing work, she told me it would get harder before it got easier and it did get harder before it got easier. Even now as this working is descending into the final three months there are definite challenges she has for me. I wouldn't have it any other way. She told me she'd be my guide for the year long love working, that she'd help me get balanced about love. And she is. At one point I did dedicate myself to her, but in a moment of clarity I realized I hadn't dedicated myself to her, for her sake or my own, but someone else's, and she agreed that such a dedication wasn't something that she wanted. She is still with me for the next three months, perhaps even beyond, guiding me in my journey about love...and her price for it is not service to her or tasks to be done, but rather simply to know that I will continue doing the work for the course of this year and beyond to keep myself balanced in love and to really understand how to manifest love for myself and to others. I can live with that...and it occurs to me that a deity with that understanding of me is a deity I can respect because that deity isn't necessarily out to have my service, but does want some kind of understanding to exist.

In fact, my experience with babalon shows me that experiences with deities are subjective and end up occurring at exactly the level that is needed for a person. While one person may very well need to be a god-slave to a god, another person may just need a guide for a year. And yes it does boil down to need. I think a very important question any person needs to ask about serving a deity is: What need within myself does this service fulfill? There is always a need being fulfilled. Certainly working with babalon is fulfilling some deep needs within myself...needs that are becoming balanced. Could I have fulfilled those needs without working with her? Perhaps, but I believe it would've taken a very long time, whereas working with Babalon brought the situation into detailed focus. And so perhaps those people that seem to pay a price in my eyes, aren't really paying that price. They serve the deity in the way they do, and yet they get a need fulfilled, a need which they may or may not be conscious of, but yet if that need went unfulfilled...I think it comes down to an essential issue of identity, which is how much a person's needs define the interactions and experiences a person has, and who/what those experiences occur with.

I watch Lupa and her growing relationship with the spirits. We are definitely going on some different spiritual paths. Yet I also see that her spirit work is definitely fulfilling needs within her. It's helping her refine her path, serve other people, etc., but it's also meeting some needs within her. She seems more balanced to me as a result of doing the spirit work she's doing.

As for service...I think my own service is not to a particular deity or whatever concept it represents. My service ultimately goes to the communities I am part of, the people I interact with, the choice to help someone find his/her potential and realize it. That is my service...not to any one being or belief, but rather to the realization that we are all connected and so if we can help each other grow and realize the effect we have on this planet, on the other life forms on this planet, and on each other, we can choose to make that effect be beneficial instead of detrimental.